Michael Desmond explores what makes a portrait subject significant.
The exhibition Flash: Australian Athletes in Focus offers various interpretations of sporting men and women by five Australian photographers.
Magda Keaney examines the 123 Faces project by Simon Obarzanek.
The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.
Joanna Gilmour writes about the portraiture of the colonial artist William Nicholas.
Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.
Dr Sarah Engledow discusses the recent gift of works by David Campbell.
Anne Sanders writes about the exhibitions Victoria & Albert: Art & Love on display at the Queen's Gallery, Buckingham Palace and the retrospective of Sir Thomas Lawrence at the National Portrait Gallery, London.
The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.
Marian Anderson’s glorious voice thrust her into stardom, and a more reluctant role as American civil rights pioneer.
Grace Carroll on the gendered world of the Wentworths.
An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.
Angus Trumble reflects on the force of nature that was Helena Rubinstein.