Robert Oatley talks about the repatriation of the John Webber portrait of Captain James Cook.
As Bryan Westwood’s portrait of Brian Dunlop hangs adjacent to Brian Dunlop’s portrait of the philanthropist Dr Joseph Brown AO OBE, we see the artist of one work as the subject of the other.
Katrina Osborne immerses herself in one of photography’s most fearless chronicles.
Nancy Wake AC (b. 1912), one of the most decorated women of World War 2, earned the name the 'White Mouse' for her maddening ability to evade the Gestapo.
Anne O’Hehir chats with artist Kim Leutwyler about courage, community and the ethics of looking.
A pair of portraits by John Brack; Portrait of Kym Bonython and Portrait of Mr Bonython's speedway cap combine to create a quirky depiction of their subject.
Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.
Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.
The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.
The exhibition California Video at the J Paul Getty Museum in Los Angeles demonstrated how video artists expand the boundaries of portraiture.
Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.
Marian Anderson’s glorious voice thrust her into stardom, and a more reluctant role as American civil rights pioneer.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
Sarah Engledow previews the beguiling summer exhibition, Idle hours.