The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.
Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.
Deborah Hill talks figures with character, as the National Portrait Gallery touring exhibitions program welcomes its millionth visitor.
This article examines the photographic portraiture of Polly Borland.
Barry York charts the course from childhood request to autographed celebrity portrait anthology.
Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.
The biographical exhibition of Barry Humphries was the first display of its kind at the National Portrait Gallery.
Sarah Hill introduces the portrait busts of Sir Charles Kingsford Smith and Captain Charles Ulm by Enid Fleming.
This issue of Portrait Magazine features articles about the NPG's Barry Humphries exhibition and Polly Borland's portrait of The Queen.
Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.
Magda Keaney speaks with Lewis Morley about his photographic career and the major retrospective of his work on display at the NPG.
Ellen Kent examines the portrait of Vincent Lingiari and Prime Minister Gough Whitlam taken by photographer Mervyn Bishop.
The world of Thea Proctor was the National Portrait Gallery's second exhibition to follow the life of a single person, following Rarely Everage: The lives of Barry Humphries.
The portrait of Janet and Horace Keats with the spirit of the poet Christopher Brennan is brought to life by artist Dora Toovey.
Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.
Martin Philbey’s portrait of Dan Sultan.
Dr Sarah Engledow explores the portrait of Ninette Dutton by Bette Mifsud.
Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.
The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.
This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.
The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.
The National Portrait Gallery is an Australian Government Agency