The National Portrait Gallery has unveiled a focus exhibition of captivating portraits by renowned artist Arthur Boyd, titled Mysterious eyes: Arthur Boyd portraits from 1945.
An open house, recollections of my early life: extracts from the reminiscences of David Boyd.
If music be the food of love
Australian portraiture of the mid-twentieth century was rich with the influence of European modernism, exemplified by the work of artists including Arthur Boyd, Judy Cassab and Clifton Pugh.
Canberran and modernist art collector Alan Boxer has generously bequeathed two works by artists Arthur Boyd and Jenny Sages to the National Portrait Gallery.
All that fall: Sacrifice, life and loss in the First World War exhibition co-curators Dr Anne Sanders and Dr Christopher Chapman reflect on the evolution of the Gallery’s Anzac Centenary exhibition.
Jan Nelson was born in Melbourne. She graduated from the Victorian College of the Arts in 1983 and has been exhibited her work in both solo and group exhibitions throughout Australia since that time including at the MCA, Sydney, National Gallery of Victoria, Gallery of Modern Art, Brisbane and the Experimental Art Foundation, Adelaide.
Last night in Sydney, the National Portrait Gallery unveiled a newly commissioned portrait of Australian sporting legend Mark Ella AM.
Dr Anne Sanders NPG Curatorial Researcher investigated the lives of the pioneering psychologists whose portraits are featured in Inner Worlds.
Commissioned with funds provided by Jillian Broadbent AO and Dr Helen Nugent AO 2018.
Directors of the National Portrait Gallery from 1998 to today.
The Chairman, Board, Director and staff mourn the loss of the National Portrait Gallery's inaugural director.
An interview with the photographer.
Sarah Engledow looks at three decades of Nicholas Harding's portraiture.
Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.
Lesley Harding, Curator, Heide Museum of Modern Art, Melbourne explores Albert Tucker’s experience of World War II, his interests in the intersection between psychology and creativity, and their influence on his portrait making.