This major exhibition celebrates 100 years of Australia’s oldest and most-loved portrait award and reflects upon the changing face of our nation.
This exhibition expresses the joy and warmth that many of us derive from our animal companions, and celebrates their trusting, unpretentious ways, with portraits of Australians and their furry, feathered and fluffy friends.
As the first National Portrait Gallery travelling exhibition, The reflecting eye: portraits of Australian visual artists represents an important milestone in the history of Australia's National Portrait Gallery.
From 1967 until 1981 Matthew Perceval lived and painted in France and during those years produced a large body of portrait paintings.
Adapted from A Tribute to William Dobell an exhibition presented by the Australian National University's Drill Hall Gallery in association with the Sir William Dobell Art Foundation, The National Gallery of Australia, and the Australian War Memorial. Dobell is of course, celebrated for his achievements in portraiture, winning the Archibald prize (1943, 1948 and 1959), the Wynne Prize (1948), and representing Australia at the 1954 Venice Biennale. Curator Mary Eagle concludes her essay in the catalogue of the exhibition thus, "Overall I see a dissonance in Dobell’s art and life
Intimate Portraits is an exhibition of paintings, drawings and prints that explore the less public side of portraiture
The Immersive World of Thom Roberts is the first solo exhibition for multidisciplinary contemporary Australian artist Thom Roberts.
As a tribute to Sir William Dargie's singular contribution to Australian art and cultural institutions, and on the occasion of his birthday, The Australian War Memorial, Parliament House and the National Portrait Gallery will mount exhibitions of his work between May and October
The artist's diary profiles six decades of Cassab's work, from the early portrait commissions of the 1950s to later paintings that have helped confirm her eminent place in the canon of Australian portraiture.
What does 'portraiture mean at the end of the 20th century? At the outset of building a national portrait collection it seems an appropriate question to investigate.
Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.
Rick Amor, noblest yet most unaffected of contemporary Australian portraitists, is also a painter of enigmatic, ominous landscapes, seascapes and cityscapes that haunt the viewer like dreams, dimly-recalled.
Over the last five years the National Portrait Gallery has developed a collection of portrait photographs that reflects both the strength and diversity of Australian achievement as well as the talents of our photographers.
In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.
This exhibition offers a comprehensive display of Clifton Pugh's portraits revealing his development and growth from tonal paintings to a unique style that was in demand from politicians, artists, academics and Australian personalities.