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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Search / angus mordant

About Face articles

Gotta catch 'em all

About Face article

Angus Trumble grabs his life jacket and rides the Pokémon GO tsunami.

A papal pet encounter

About Face article

In honour of the launch of the Popular Pet Show, Angus recalls a diplomatic incident with an over-excited golden retriever.

'Moses' by Michelangelo, c. 1513–1515

Not perspiring, but glowing.

The cultural history of radiance.

About Face article

Angus Trumble explores the creative manifestations of radiance.

Portrait of HRH Crown Princess Mary of Denmark

Tribute: Mary Isabel Murphy

About Face article

The Chairman, Board, Director and all the staff of the National Portrait Gallery mourn the loss of our Benefactor, Mary Isabel Murphy.

Mary, Queen of Scots by unknown artist, National Portrait Gallery of London

Portrait dendrochronology

About Face article

Angus's latest Trumbology is accompanied by the following caveat: 'This one is reeeeeeally geeky.'

Angus Trumble and Brownie

A bear of great substance

About Face article

Just in time for Christmas, Angus reflects on the most special present he has ever received.

Sir Thomas Stamford Bingley Raffles, 1824 by James Thomson

Audacity, audacity, audacity

About Face article

Angus delves into the biographies of two ambitious characters; Sir Stamford Raffles and Sir John Pope-Hennessy.

Anangu landscape learning

About Face article

Angus' initial perception of Uluru shifts, as he comes to see it as central to the entire order of Anangu life.

Helena Rubinstein in a red brocade Balenciaga gown

Crème Valaze

From lanolin to Balenciaga

About Face article

Helena Rubinstein (1872‒1965) was the first self-made millionairess of modern times, and created the first publicly-listed global cosmetics corporation.

Asiel Timor Dei, ca. 1728 by a master of Calamarca

The Viceroyalty of New Spain

About Face article

European painters always enjoyed a good deal of latitude in the representation of angels, those asexual, bodiless, celestial regiments of God, so long as they were young and beautiful.

Canberra Close Up: Angus Trumble

Desert Island Discs

About Face article

I agonized over the choice of four songs to take with me to the ABC Studios for Alex Sloan’s Canberra 666 afternoon program, a sort of iteration of the old BBC Desert Island Discs.

Archduke Franz Ferdinand of Austria, 1899 by Carl Pietzner

The Archduke

About Face article

The immediate chain of events that led to the outbreak of the First World War began 100 years ago on June 28.

The Triumph of Death, c. 1562 by Pieter Bruegel the Elder

The Black Death

About Face article

The best horror stories are real. A flea sinks its proboscis into the skin of a sick black rat, feeds on its blood, and ingests lethally multiplying bacteria.

Indexing, the art of

About Face article

The first index I created was for my first book, and, to my astonishment, that was almost twenty-five years ago.

Monument to Mrs. Moore St. Luke’s Church, Liverpool, Sydney

Waterloo and Mrs. Moore

About Face article

Beyond the centenary of the ANZAC landings at Gallipoli, a number of other notable anniversaries converge this year. Waterloo deserves a little focussed consideration, for in the decades following 1815 numerous Waterloo and Peninsular War veterans came to Australia.

Lord Kitchener

Lord Kitchener

Imperial strategist

About Face article

Once central to military strategy and venerated in patriotic households, Lord Kitchener is now largely forgotten.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency