Angus Trumble grabs his life jacket and rides the Pokémon GO tsunami.
In honour of the launch of the Popular Pet Show, Angus recalls a diplomatic incident with an over-excited golden retriever.
Angus Trumble explores the creative manifestations of radiance.
The Chairman, Board, Director and all the staff of the National Portrait Gallery mourn the loss of our Benefactor, Mary Isabel Murphy.
Angus's latest Trumbology is accompanied by the following caveat: 'This one is reeeeeeally geeky.'
Just in time for Christmas, Angus reflects on the most special present he has ever received.
Angus delves into the biographies of two ambitious characters; Sir Stamford Raffles and Sir John Pope-Hennessy.
Angus' initial perception of Uluru shifts, as he comes to see it as central to the entire order of Anangu life.
Fortunately, perhaps, there is no instruction manual for newly appointed art museum directors.
Just now we pause to mark the centenary of ANZAC, the day when, together with British, other imperial and allied forces, the Australian and New Zealand Army Corps landed at Gallipoli at the start of the ill-starred Dardanelles campaign.
There is in the collection of the Yale Center for British Art in New Haven, Connecticut, an English painting, datable on the basis of costume to about 1745, that has for many years exercised my imagination.
I first knew Dr. Hoff when in 1986, long after retiring from the National Gallery of Victoria, she taught a graduate seminar on Rembrandt.
Several years ago I came across this curious painting on the racks in a distant, dusty corner of the store room in the basement of the Johannesburg Art Gallery in South Africa. Since then the mystery surrounding it has never been far from my mind.
On this day eight hundred years ago at Runnymede near Windsor, King John signed Magna Carta.
The southern winter has arrived. For people in the northern hemisphere (the majority of humanity) the idea of snow and ice, freezing mist and fog in June, potentially continuing through to August and beyond, encapsulates the topsy-turvidom of our southern continent.
Portraits can render honour to remarkable men and women, but there are other ways.