Former NPG Director, Andrew Sayers, explores the creative collaborations between four Australian artists living in Paris during the first years of the twentieth century.
Inga Walton on the brief but brilliant life of Hugh Ramsay.
Walkley Award-winning photojournalist Andrew Quilty shares an extract from his new book, a powerful visual record of his nine years in Afghanistan.
Andrew Mayo talks to three of Australia’s most prominent and prolific music photographers — Martin Philbey, Kane Hibberd and Daniel Boud — about the challenges and inspiration behind their craft.
Andrew Mayo considers the changing face of modern wedding photography through the eyes of two of its finest exponents, Dan O’Day and Kelly Tunney.
Andrew Mayo explores the portrait piscatorial, with help from two of its most creative practitioners.
Tim Bonyhady recalls his experience as sitter for his close friend and former National Portrait Gallery Director, the late Andrew Sayers.
Andrew Sayers explores the self-portraits created by Australian artist Sidney Nolan.
Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.
Photographer Andrew Maccoll tells the story behind his portrait of dual world champion pro surfer Mick Fanning.
Former National Portrait Gallery Director, Andrew Sayers recalls meeting iconic Australian artist Sidney Nolan.
Andrew Sayers feels the warmth in the paintings Matthew Perceval made while the sun shone in southern France.
Andrew Sayers discusses the real cost of George Lambert's Self portrait with gladioli 1922.
The story behind George Lambert's Self-portrait with Gladioli.
This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.
This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.