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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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At sunrise, a balloon seller makes his way through an informal settlement for families displaced by fighting in Afghanistan’s provinces, beside Kabul’s national cricket stadium, 2014 Andrew Quilty

This is Afghanistan

Magazine article by Andrew Quilty, 2023

Walkley Award-winning photojournalist Andrew Quilty shares an extract from his new book, a powerful visual record of his nine years in Afghanistan.
Daniel Johns, Silverchair Melbourne 2007 by Martin Philbey

Rock art

Magazine article by Andrew Mayo, 2016

Andrew Mayo talks to three of Australia’s most prominent and prolific music photographers — Martin Philbey, Kane Hibberd and Daniel Boud — about the challenges and inspiration behind their craft.
Untitled, 2011 © Kelly Tunney

Something old, something new

Magazine article by Andrew Mayo, 2017

Andrew Mayo considers the changing face of modern wedding photography through the eyes of two of its finest exponents, Dan O’Day and Kelly Tunney.
Fly fishing for Atlantic Salmon, Iceland, 2015 Josh Hutchins

Fisheye

Magazine article by Andrew Mayo, 2020

Andrew Mayo explores the portrait piscatorial, with help from two of its most creative practitioners.
Self Portrait with sun damage, 2014 by Andrew Sayers.

At easel

Magazine article by Tim Bonyhady, 2016

Tim Bonyhady recalls his experience as sitter for his close friend and former National Portrait Gallery Director, the late Andrew Sayers.
Mick Fanning at Snapper Rocks

Beach scene

Magazine article by Andrew Maccoll, 2012

Photographer Andrew Maccoll tells the story behind his portrait of dual world champion pro surfer Mick Fanning.
Self portrait

Self Creation

Magazine article by Andrew Sayers AM, 2006

Former National Portrait Gallery Director, Andrew Sayers recalls meeting iconic Australian artist Sidney Nolan.

 
Portrait of Ambrose Patterson

Velasquez Touch

Magazine article by Andrew Sayers AM, 2004

Former NPG Director, Andrew Sayers, explores the creative collaborations between four Australian artists living in Paris during the first years of the twentieth century.
Self portrait, 1970

Painters' paradise

Magazine article by Andrew Sayers AM, 2007

Andrew Sayers feels the warmth in the paintings Matthew Perceval made while the sun shone in southern France.
Self portrait with gladioli

Facing Facts

Magazine article by Andrew Sayers AM, 2003

Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.
Self portrait

Me Myself I

Magazine article by Andrew Sayers AM, 2001

Andrew Sayers explores the self-portraits created by Australian artist Sidney Nolan.
Self portrait with gladioli

Money and swat

Magazine article by Andrew Sayers AM, 2007

Andrew Sayers discusses the real cost of George Lambert's Self portrait with gladioli 1922.
James Oswald Fairfax

The Fairfax Gift

Magazine article by Andrew Sayers AM, 2003

This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.
Self portrait with gladioli

Courage, Self-analysis and Skill

Magazine article by Andrew Sayers AM, 2002

The story behind George Lambert's Self-portrait with Gladioli.
Sir Macfarlane Burnet

Picture this...

Magazine article by Andrew Sayers AM, 2003

This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.
Joan Croll

String of Pearls

Magazine article by Andrew Sayers AM, 2001

Andrew Sayers discusses the portrait of Dr Joan Croll AO by the Australian artist John Brack.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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