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I think the truest representation of someone is a portrait.

Dr Christopher Chapman, curator of Inner Worlds: Portraits & Psychology looks at Albert Tucker's Heidelberg military hospital portraits.

Emma Kindred considers the artistic lineage and deep Ancestral connection between Vincent Namatjira and his great-grandfather Albert Namatjira.

Anne Sanders writes about the exhibitions Victoria & Albert: Art & Love on display at the Queen's Gallery, Buckingham Palace and the retrospective of Sir Thomas Lawrence at the National Portrait Gallery, London.

Glynis Traill-Nash explores a new Romance Was Born commission, Emma Kindred looks at Vincent Namatjira, and Rebecca Blake profiles NPPP finalist Gerwyn Davies.

James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.

In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.

In February 2003 the National Portrait Gallery Circle of Friends brought Sir Robert Strong to Australia to present a series of lectures entitled The Artists & The Banquet- A History of Dining, which focused on the links between gardens and table decoration from the Renaissance to the Victorian Era.

In her self-portrait, Tracey Moffatt presents herself as her work.

Sir William Dargie, painter and eight times winner of the Archibald Prize for portraiture, died in Melbourne on July 26, 2003, aged 91.

Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.

Gavin Fry examines the art and career of the Australian painter Rick Amor.

Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.

Patrick McCaughey explores a striking Boyd self portrait.

Peter Jeffrey trips the hound nostalgic.

Celebrates the centenary of the first national art collection, the Historic Memorials Collection, housed at Australia's Parliament House.