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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Search / patricia piccinini

General information

Divide (Self portrait)

Dissections: Layered portraits from the collection is now open

Archived media releases 2016

Dissections, showcases the hyper-realist sculptural self-portrait of artist Sam Jinks, Divide, alongside the painted portrait of philosopher David Chalmers by Nick Mourtzakis, which was commissioned by the Gallery in 2011.

The Long Awaited, 2008 by Patricia Piccinini

Patricia Piccinini

More about In the flesh artists

Patricia Piccinini was born in Sierra Leone and grew up in Canberra. She received a BFA from the Victorian College of the Arts, Melbourne in 1991. In 1994 she initiated The Basement Project Gallery in Melbourne, which she coordinated until 1996. Her 2003 exhibition We Are Family represented Australia at the 50th Venice Biennale.

Bedroom, 10.30 pm (from 'The Fitzroy Series'), 2011 by Patricia Piccinini

Acceptance

More about In the flesh

Patricia Piccinini’s photographic series SO2 and The Fitzroy Series explore human acceptance of difference – applied empathy – through children’s interactions with trans-species creatures.

The Long Awaited, 2008 by Patricia Piccinini

Empathy

More about In the flesh

Patricia Piccinini places empathy at the heart of her practice. The tenderness of the moment dominates.

Walking in tall grass, Lucy, 2010 by Jan Nelson

More about In the flesh artists

General content

The exhibition features work from Jan Nelson, Natasha Bieniek, Patricia Piccinini, Juan Ford, Petrina Hicks, Ron Mueck, Yanni Floros, Sam Jinks, Michael Peck and Robin Eley.

Still Life (Pieta), 2007 by Sam Jinks

More about In the flesh

General content

In the flesh is realised through moments of intimacy, empathy, transitions in life and the transience of life, vulnerability, alienation, restlessness, self-reflection, mortality and acceptance.

Divide, 2011 by Sam Jinks

In the Flesh

15 October 2014

Archived media releases 2014

Press releases and image downloads for media.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency