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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Search / william king

About Face articles

Lord Kitchener

Lord Kitchener

Imperial strategist

About Face article

Once central to military strategy and venerated in patriotic households, Lord Kitchener is now largely forgotten.

Helen Borthwick née Pearson

The personal and the historical

About Face article

Where do we draw a line between the personal and the historical? Although she died in Melbourne in 1975, when I was not quite eleven years old, I have the vividest memories of my maternal grandmother Helen Borthwick.

'Moses' by Michelangelo, c. 1513–1515

Not perspiring, but glowing.

The cultural history of radiance.

About Face article

Angus Trumble explores the creative manifestations of radiance.

Percy, Reginald, Monty and George Faithfull, undated by Henry Dorner. Image courtesy the National Museum of Australia.

An affray which deserves particular mention

Ben Hall and his gang outdone, 6 February 1865

About Face article

Bushranger Ben Hall and his cronies held around 40 people hostage in a pub north-west of Goulburn, telling their captives ‘don’t be alarmed; we only came here for a bit of fun’.

The great South Sea caterpillar transformed into a Bath Butterfly (Sir Joseph Banks)

The Bath Butterfly

About Face article

The caricaturist and engraver James Gillray's biting satires about Sir Joseph Banks.

Mirka - 9 Collins Street

Wicked but Virtuous

About Face article

Faith Stellmaker shares pioneering artist and restaurateur Mirka Mora’s lasting legacy on Melbourne’s art, dining and culture.

Andrew George Scott, alias Captain Moonlite, c.1879 attributed to Charles Nettleton

Diseased curiosity

Captain Moonlite et al on trial for murder

About Face article

Just after 10.00 o'clock on 3 December 1879, four prisoners were brought from their cells at Darlinghurst Gaol and placed in the dock of a courtroom heaving with agitated spectators

Dr Alison Inglis, AM, 2023 Dena Kahan

School portraits

About Face article

Inga Walton sheds light on a portraiture collection usually only seen by students and teachers at Melbourne University.

Installation of ‘Face to Face: The New Normal’ at Wagga Wagga Regional Gallery, 2021 Vic McEwan

Facing the feeling

About Face article

Penelope Grist explores the interplay between medicine and portraiture in Vic McEwan’s Face to Face: The New Normal.

The selfie stick

About Face article

Last week ABC Television came to interview me about selfie sticks. The story was prompted by the announcement that the Metropolitan Museum of Art in New York has lately prohibited the use of these inside their galleries. So far as I am aware we have not yet encountered the phenomenon, but no doubt we will before too long.

Lustre, held by a Groom, ca. 1762 by George Stubbs

Stubbs and the horse

About Face article

One of the chief aims of George Stubbs, 1724–1806, the late Judy Egerton’s great 1984–85 exhibition at the Tate Gallery was to provide an eloquent rebuttal to Josiah Wedgwood’s famous remark of 1780: “Noboby suspects Mr Stubs [sic] of painting anything but horses & lions, or dogs & tigers.”

Grateful admiration and brotherly love

About Face article

In the earliest stages of the Great War, the Royal Pavilion in Brighton was turned into a military hospital, and arrangements made there to accommodate the different dietary and other requirements of Hindu, Sikh and Muslim patients.

Inditchenous beestes of New Olland

About Face article

A remarkable undated drawing by Edward Lear (1812–88) blends natural history and whimsy.

Sydney Cove medallion, 1789 by Josiah Wedgwood

The medallion

About Face article

In recent years I have become fascinated by the so-called Sydney Cove Medallion (1789), a work of art that bridges the 10,000-mile gap between the newly established penal settlement at Port Jackson and the beating heart of Enlightenment England.

Indexing, the art of

About Face article

The first index I created was for my first book, and, to my astonishment, that was almost twenty-five years ago.

An evening at Yarra Cottage, Port Stephens

Maria Caroline Brownrigg

About Face article

At first glance, this small watercolour group portrait of her two sons and four daughters by Maria Caroline Brownrigg (d. 1880) may seem prosaic, even hesitant

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency