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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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John Coburn

101 photographic portraits

Magazine article by Michelle Fracaro, 2004

Pat Corrigan's generous gift of 100 photographic portraits by Greg Weight.

Clifton Pugh painting in the studio

Painting mates

Magazine article by Michael Desmond, 2011

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

Francis Russell Nixon

Sketches and sermons

Magazine article by Jessica Smith, 2009

Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond

Caroline Amelia Elizabeth
of Brunswick, 1804

Around the grounds

Magazine article by Dr Anne Sanders, 2010

Anne Sanders writes about the exhibitions Victoria & Albert: Art & Love on display at the Queen's Gallery, Buckingham Palace and the retrospective of Sir Thomas Lawrence at the National Portrait Gallery, London.

Quentin Bryce

In bloom

Magazine article by Susi Muddiman, 2017

Susi Muddiman delights in Michael Zavros’ stunning portrait of the honourable Dame Quentin Bryce AD CVO.

Nose, 2008–10 by William Kentridge

A nose by any other name

Magazine article by Jane Kinsman, 2013

In the exhibition William Kentridge: Drawn from Africa at the National Gallery of Australia, the artist marries Gogol's Tsarist Russia, with that of Stalin and the damaging history of his homeland, South Africa.

Brown form with stripes, 1961

Figurative foundation

Magazine article by Joanna Gilmour, 2010

Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.

Self portrait, 1786 by John Kay

Alternative virtue

Magazine article by Joanna Gilmour, 2015

Joanna Gilmour presents John Kay’s portraits of a more infamous side of Edinburgh.

Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Mirka Mora

It's a Mora!

Magazine article by Tedi Bills, 2016

Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.

L. Gordon Darling AC CMG

Portrait of a patron

Magazine article by Dr Sarah Engledow, 2007

A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.

Mary Ann Lawrence, 1841

Fits of delicacy and despair

Magazine article by Joanna Gilmour, 2009

Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.

Mr John Eason

The shipwright's arms

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores the life and times of convict-turned-artist William Buelow Gould.

Portrait of Thea Proctor, 1905 by George Lambert

The real Thea

Magazine article by Dr Sarah Engledow, 2015

Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.

Self portrait with gladioli

Courage, Self-analysis and Skill

Magazine article by Andrew Sayers AM, 2002

The story behind George Lambert's Self-portrait with Gladioli.

The National Portrait Gallery

In the galleries

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency