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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Sir Charles Nicholson

Sir Charles Nicholson

Sir Charles Nicholson (1808-1903), statesman, landowner, businessman, connoisseur, scholar and physician, was born illegitimately into unpropitious circumstances in Yorkshire.

2 portraits in the collection

123 Faces, 2002

123 Faces

Magazine article by Magda Keaney, 2002

Magda Keaney examines the 123 Faces project by Simon Obarzanek.

Ellen Stirling

Duty bound

Magazine article by Joanna Gilmour, 2009

Joanna Gilmour explores the life of colonial women Lady Ellen Stirling, Eliza Darling, Lady Eliza Arthur, Elizabeth Macquarie and Lady Jane Franklin.

Sir Macfarlane Burnet

Picture this...

Magazine article by Andrew Sayers AM, 2003

This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.

Michelle Simmons

Michelle Simmons, 2018

General content

Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018

William Charles Wentworth -The Australian Patriot

The Wentworths – Hidden in Plain Sight

Magazine article by Dr Grace Blakeley-Carroll, 2015

Grace Carroll on the gendered world of the Wentworths.

Self portrait

Portrait of a Modernist

Magazine article by Dimity Goldie, 2003

The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.

Anna Frances Walker

Anna F. Walker

Anna Frances Walker (1830–1913), botanical artist and collector, was one of the thirteen children of Thomas Walker, a high-ranking colonial public servant, and his wife Anna Elizabeth, the daughter of merchant and landowner John Blaxland.

1 portrait in the collection

Herb and Flan

Richard Flanagan

Richard Flanagan (b. 1961) was born in Longford in northern Tasmania, the second youngest of the six children of Archie Flanagan, a primary school principal, and his wife Helen.

1 portrait in the collection

Henry Lawson

Regarding Henrys

Magazine article by Dr Sarah Engledow, 2015

Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.

A woman of New South Wales, c. 1840

More cash than dash

Magazine article by Joanna Gilmour, 2011

Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.

Helena Rubinstein in a red brocade Balenciaga gown

Study in scarlet

Magazine article by Angus Trumble, 2018

Angus Trumble reflects on the force of nature that was Helena Rubinstein.

image not online

Annual Appeal

Self portrait, 1786 by John Kay

Alternative virtue

Magazine article by Joanna Gilmour, 2015

Joanna Gilmour presents John Kay’s portraits of a more infamous side of Edinburgh.

Sir Joseph Banks

In a good paddock

Magazine article by Dr Sarah Engledow, 2011

Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.

Cachasunghia, Osage Warrior 1804–06 by Charles Balthazar Julien Févret de Saint-Mémin

Political profiles

Magazine article by Joanna Gilmour, 2016

Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency