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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Elle Macpherson

Australian visit in Denmark

Magazine article by Mette Skougaard, 2006

In April 2006 the National Portrait Gallery showcased Australian portraits at the Fredenksborg Castle in Denmark. 

Dorothy Porter

Beautiful bones

Magazine article by Dr Sarah Engledow, 2011

Sarah Engledow reflects on the shared life and writing of Dorothy Porter and Andrea Goldsmith.

Portrait of Troppo Architects, 2009

Thinking about architecture and portraiture

Magazine article by Dr Christopher Chapman, 2009

Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture

Sydney Ure Smith

Dupain detective

Magazine article by Johanna McMahon, 2019

Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects.

Sir Sidney Kidman

The fat of the land

Magazine article by Dr Sarah Engledow, 2009

Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’. 

Louis XVI giving final instructions to the Comte de La Perouse, c. 1785

Sea legged frogs

Magazine article by Joanna Gilmour, 2011

Joanna Gilmour describes some of the stories of the individuals and incidents that define French exploration of Australia and the Pacific.

Glenn McGrath

Pigeon coup

Magazine article by Christine Clark, 2006

Glenn McGrath makes a strong impact on the English batsmen and the walls of the National Portrait Gallery.

Aretha Brown in front of her New Shakahari Wall Mural Commission at La Mama Theatre, Carlton, 2023 Mark Mohell

Aretha Brown

In conversation
Magazine article by Rebecca Ray, 2023

Gumbaynggirr artist Aretha Brown talks street art, collaboration and ghost stories with First Nations Curator and Meriam woman, Rebecca Ray.

David Marr, 2011 by Nicholas Harding

Through thick and thin

Magazine article by Dr Sarah Engledow, 2017

Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.

Dave Graney

Naked nostalgia

Magazine article by Penelope Grist, 2016

Penelope Grist reminisces about the halcyon days of a print icon, before the infusion of the internet’s shades of grey.

Abbey Mag (detail), 2017 Tanja Bruckner

Safe space

Magazine article by Amy Middleton, 2023

Amy Middleton on the power of portraiture in promoting inclusivity and connecting with intersectionality and diversity in all its forms.

Miss Frances Samuel

The art of dress

Magazine article by Dr Emma Kindred, 2023

Emma Kindred examines fashion as a representation of self and social ritual in 19th-century portraiture.

Annette Kellerman, c. 1916

Naked ambition

Magazine article by Joanna Gilmour, 2009

Joanna Gilmour dives into the life of Australian swimming legend Annette Kellerman.

Her Excellency Marjorie Jackson-Nelson AC CVO MBE

Spikes: then and now

Magazine article by Dr Sarah Engledow, 2006

As part of its ongoing program of commissions of portraits of prominent Australians, the National Portrait Gallery has unveiled a portrait of Her Excellency Marjorie Jackson-Nelson by South Australian artist Avril Thomas.

Helen Blaxland judging flower arrangements, c. 1940s photographer unknown

Petal to the mettle

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.

Charles Haddon Chambers

Suave

Magazine article by Dr Sarah Engledow, 2010

Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency