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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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John Bell as King Lear oil on Belgian linen, 2001 by Nicholas Harding

Lear unbuttoned

Magazine article by Dr Sarah Engledow, 2011

Sarah Engledow steps up to the footlights and applauds the storyline behind Nicholas Harding's portraits of actor John Bell.

The Coronation Theatre, Westminster Abbey: A Portrait of Her Majesty Queen Elizabeth II, 2012

Imagination

Magazine article by Dr Sarah Engledow, 2013

Dr Sarah Engledow tells the story of The Queen’s Diamond Jubilee portrait by Australian artist Ralph Heimans.

Leigh Bowery in Fur Coat

Hyperversity

Magazine article by Dr Sarah Engledow, 2006

Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.

The family

Big bouquet of Blackmans

Magazine article by Dr Sarah Engledow, 2013

Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.

Portrait of Mary MacKillop c 1873

The Saint and the merchant

Magazine article by Dr Sarah Engledow, 2010

Emanuel Solomon gave shelter to the Sisters of St Joseph upon the excommunication of St Mary MacKillop.

Patrick White at Centennial Park, 1979–1980

Listomania

Magazine article by Dr Sarah Engledow, 2013

Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.

Patrick White at Centennial Park, 1979–1980

White Whiteley

The portrait of Patrick White by Brett Whiteley

Previous exhibition, 2012

Eleven works by Brett Whiteley, centred around his scintillating 'Patrick White at Centennial Park 1979-1980'.

Artist and wife near Arthurs Seat, 1969

Through blue eyes

Magazine article by Dr Sarah Engledow, 2009

Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.

Nancy Wake - The White Mouse

Capturing the Mouse

Magazine article by Dr Sarah Engledow, 2004

Nancy Wake AC (b. 1912), one of the most decorated women of World War 2, earned the name the 'White Mouse' for her maddening ability to evade the Gestapo.

Robyn Archer, 2010

Real close

Magazine article by Dr Sarah Engledow, 2012

Peter Ciemitis breached regulations when creating the portrait of the polymath environmental scientist George Seddon.

L. Gordon Darling AC CMG

Portrait of a patron

Magazine article by Dr Sarah Engledow, 2007

A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.

Layne Beachley

Everybody's heard about the bird

Magazine article by Dr Sarah Engledow, 2008

Two professionals; Australian surfer Layne Beachley and photographer Petrina Hicks, combine their strengths to achieve a remarkable portrait.

Janet Dawson, 2016 by Mark Mohell

Janet Dawson

Explore The Popular Pet Show

When soulmates Janet Dawson and Michael Boddy moved from Sydney to a property, Boddy was clear about why: ‘Our marriage is one long conversation - we moved to the bush so we could talk to each other without so many interruptions.’

Portrait of Mr Frank Packer

Vintage Cassab

Magazine article by Dr Sarah Engledow, 2006

The oil portrait of Sir Frank Packer KBE by Judy Cassab was gifted to the National Portrait Gallery in 2006.

Steve Irwin

Crikey!

Magazine article by Dr Sarah Engledow, 2006

Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.

MacKenzie family silhouette

All there in black and white

Magazine article by Dr Sarah Engledow, 2007

The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency