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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Radical Restraint 
Justice Michael Kirby

Judicial portraits

Magazine article by Leslie Moran, 2007

Leslie Moran investigates the portraits of judges in the National Portrait Gallery's collection.

New partnership with Stripy Sock

5 July 2016
Archived media releases 2016

We have a new partnership with Canberra-based leading mobile application development consultancy, Stripy Sock.

David Combe and the portrait
David Combe and the portrait
David Combe and the portrait

David Combe and the portrait, 1983

Keith Looby
Portrait, oil on canvas

Collection: National Portrait Gallery
Gift of David Combe 1998
Donated through the Australian Government's Cultural Gifts Program

Thomas Woolner

The mystery of Enoch Arden

About Face article

Tennyson's Enoch Arden was inspired by a story that Thomas Woolner passed on to him – but whose story and of whom?

Hugh, 2009 by Hugh Marchant

National Youth Self Portrait Prize

NYSPP 2009
Previous exhibition, 2009

An annual event, the National Youth Self Portrait Prize seeks to encourage young people to embrace self portraiture and its expressive possibilities.

William Johnson (1873—1948) by Percy Leason

Recognition

Percy Leason's Aboriginal Portraits
Previous exhibition, 1999

Originally conceived as an anthropological record, Percy Leason’s powerful 1934 portraits of Victorian Aboriginal people are today considered to be a highlight of 20th century Australian portraiture

Moby Dickens, 2022 Blak Douglas (Dunghutti, South-east region)

Why portraiture?

Magazine article by Blak Douglas, 2023

Blak Douglas reflects on his experiences, process and motivation for making portraits.

Ellen Stirling

Very fine and very like

About Face article

When did notions of very fine and very like become separate qualities of a portrait? And what happens to 'very like' in the age of photographic portraiture?

Sir Thomas Stamford Bingley Raffles, 1824 by James Thomson

Audacity, audacity, audacity

About Face article

Angus delves into the biographies of two ambitious characters; Sir Stamford Raffles and Sir John Pope-Hennessy.

Cormac and Callum, 2008 by Ingvar Kenne

National Photographic Portrait Prize 2009

Previous exhibition, 2009

In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.

Billie, 2016 by Graeme Drendel

Pets of all types take over the National Portrait Gallery

3 November 2016
Archived media releases 2016

It is not every day that a national gallery turns its walls over to the animal companions that bring unconditional love and joy to their owners but this summer we have opened the doors to 15 contemporary artists with very different ways of depicting our furry, feathered and scaled pets.

Artist in residence creates portraits using brainwave zctivity

29 June 2016
Archived media releases 2016

Digital media artist, George Khut, is creating a spectacular form of digital portraiture involving public participants.

Toni Collette as Muriel trying on a wedding dress by Robert McFarlane, Muriel’s Wedding, 1994

Starstruck: Australian Movie Portraits opens

9 November 2017
Archived media releases 2017

Visitors will be left in awe with the National Portrait Gallery and National Film and Sound Archive of Australia’s (NFSA) new star-studded exhibition, Starstruck: Australian Movie Portraits

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Canberra, ACT 2600, Australia

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ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency