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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Goollabal (Rainbow Serpent), 2018 by Shirley Purdie

Memories

General content

The second row of paintings recall stories relating to specific sites, experiences and activities.

At the bus stop, 2011 by Brenton McGeachie

Brenton McGeachie

NPPP 2012 learning resource

An interview with the photographer.

Chairman Sid Myer AM, Deputy Chair Hayley Baillie, Tim Bednall, Jillian Broadbent AC, Patrick Corrigan AM, Marilyn Darling AC, Tim Fairfax AC, Penny Fowler AM, John Liangis, Dr Helen Nugent AC, Nigel Satterley AM and Susan Armitage

Foundation Members

Foundation

Chairman Sid Myer AM, Hayley Baillie, Tim Bednall, Jillian Broadbent AC, Patrick Corrigan AM, Marilyn Darling AC, Tim Fairfax AC, Penny Fowler AM, John Liangis, Dr Helen Nugent AC and Nigel Satterley AM.

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Terms and conditions

NPPP 2015
More about the NPPP 2015

Conditions of entry for the National Photographic Portrait Prize 2015.

Students in the Gallery

Visiting with a school group

Visual Stories

Access support for students.

Gail Kelly

Gail Kelly, 2018

by Paul Newton
General content

Commissioned with funds provided by Westpac Group and Optus 2018

Li Cunxin

Twenty new portraits marking Portrait Gallery’s twentieth birthday

21 August 2018
Archived media releases 2018

To celebrate the National Portrait Gallery’s twentieth anniversary as an institution, twenty portraits of outstanding Australian individuals have been commissioned for the permanent collection. This is the largest undertaking for the Gallery’s commissioning program in its twenty-year existence.

James, 2012 by Myles Nelson

Myles Nelson

Finalist interviews

It was definitely a candid encounter as was the expression on the face. It was constructed insofar as the image was deliberately taken from a distance so as to minimize intrusion and to magnify the effect of the image.

The Living Room, 2012 by Janet Tavener

Janet Tavener

Finalist interviews

Mikala is the eldest of my three daughters. I have photographed her on many an occasion. Needless to say we are both extremely at home with the practice.

Lucky Day, 2011 by Nikki Toole

Nikki Toole

NPPP 2012 learning resource

An interview with the photographer.

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About the exhibition

Portraits + Architecture
General content
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Portrait Donors

Listed by year
Honour board
Ken Done, 2016 by Mark Mohell

Ken Done

Explore The Popular Pet Show

With a mum who was married to a tradie, you’d think it a fair chance that the baby Jesus would have grown up with a dog in the house.

Silent Strength, 2021 Wayne Quilliam

National Photographic Portrait Prize 2022

Learning resources

Let’s look closely at the National Photographic Portrait Prize 2022 together! For students and family groups.

Untitled, 1995 by Fang Lijun

Fang Lijun

Featured Artists

Born 1963, Handan, Hebei Province China. Lives and works in Beijing.

Davida Allen, 2016 by Mark Mohell

Davida Allen

Explore The Popular Pet Show

Going around a gallery with a child, we point to a painting of a dog and brightly ask ‘What’s that?’ If they don’t say ‘A dog’, we tell them that’s what it is. We don’t say it’s a shape inscribed by an artist that’s popularly understood to signify a dog. That’d only serve to foster a smarty-pants.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency