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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Mark and Nick Seymour
Mark and Nick Seymour
Mark and Nick Seymour

Mark and Nick Seymour, 1997

Nathan Kelly
Portrait, type C photograph on paper

Collection: National Portrait Gallery
Purchased 2005

Transition: Nikki & Nick, 2011 by Emma Phillips

Transition: Nikki & Nick, 2011

by Emma Phillips
Image
Nick Chenery

Drawn in

Nick Chenery
Event, Sunday 7 July

Draw while listening to live music by Nick Chenery as he plays an assortment of 80s pop and country blues, refreshed by his studies in jazz and folk.

Dave Graney
Dave Graney
Dave Graney

Dave Graney, 1996

Bleddyn Butcher
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Gift of the artist 2002

Grant McLennan

Grant (No. 3 of Robert, Lindy, Grant)

Jenny Watson
Image
Jimmy Barnes at The Coogee Bay Hotel 1984 (detail) Grant Matthews

Pub Rock

Your backstage pass to 70s and 80s sounds and scenes
Previous exhibition, 2020

Celebrate the people, places and sounds of Australian pub rock and its enduring impact on our nation’s identity.

Guthugga Pipeline, Christmas Show, upstairs, The (old) Griffin Centre, Civic, 22 December 1979. Crowd, L-R : Ben Donaldson, Anne Redmond, Nick Vollis, Esa  Makela, Megan Woodrow (Mohawk), Andy Hall (scarf) 'pling

Capital Cool

Stop in all the byways, playin' rock 'n roll
General content

Outsiders tend to give Canberra a bad rap: sterile, plagued by politicians, a comatose capital for professionals and academics. Nick Cave once said he didn’t like the city because there were too many punks.

Rocking the boat, 2006 by Mark Tedeschi

Rocking the boat, 2006

by Mark Tedeschi
Image
Eddie Mabo (after Mike Kelley's 'Booth's Puddle' 1985, from Plato's Cave, Rothko's Chapel, Lincoln's profile) No.3
Eddie Mabo (after Mike Kelley's 'Booth's Puddle' 1985, from Plato's Cave, Rothko's Chapel, Lincoln's profile) No.3
Eddie Mabo (after Mike Kelley's 'Booth's Puddle' 1985, from Plato's Cave, Rothko's Chapel, Lincoln's profile) No.3

Eddie Mabo (after Mike Kelley's 'Booth's Puddle' 1985, from Plato's Cave, Rothko's Chapel, Lincoln's profile) No.3, 1996

John Citizen
Portrait, synthetic polymer paint on canvas

Purchased with funds provided by L Gordon Darling AC CMG 1999

Nick Cave, Susie Bick and Luke Cave, 1998 (printed 2020) Dominique Issermann. Courtesy of the artist © Dominique Issermann

Stepping out

Devotion

Beautiful punk love

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency