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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Dame Mary Gilmore
Dame Mary Gilmore
Dame Mary Gilmore

Dame Mary Gilmore, 1961

Max Dupain OBE
Portrait, gelatin silver photograph on paper

Purchased with funds provided by Timothy Fairfax AC 2003

Chevalier d'Éon, 1792 Thomas Stewart after Jean Laurent Mosnier

Chevalier d'Éon

Thomas Stewart after Jean Laurent Mosnier
Image

Sir Henry Barkly

Portrait story

An interview with former National Portrait Gallery Director, Andrew Sayers, who describes the portrait of Sir Henry Barkly by Thomas Clark.

Henry Louis Bertrand, ca. 1865 photographed by the Milligan Brothers. Collection of the State Library of NSW

A passion eating into your vitals

The ‘Mad Dentist of Wynyard Square’ in court, 18 December 1865
About Face article

The salacious and sordid details of Henry Kinder’s death transfixed Sydneysiders with a case combining murder with seduction, mesmerism, blackmail and poisoning.

Field Marshal the Lord Birdwood

Centenary of ANZAC

About Face article

Just now we pause to mark the centenary of ANZAC, the day when, together with British, other imperial and allied forces, the Australian and New Zealand Army Corps landed at Gallipoli at the start of the ill-starred Dardanelles campaign.

Caroline Chisholm
Caroline Chisholm
Caroline Chisholm

Caroline Chisholm, 1853

J B. Hunt after Antoine François Jean Claudet
Portrait, steel engraving on paper

Purchased 2015

Cour-rou-bari-gal
Cour-rou-bari-gal
Cour-rou-bari-gal

Cour-rou-bari-gal, 1807

Nicolas-Martin Petit after Barthélemy Roger
Portrait, engraving, hand coloured on paper

Purchased with funds provided by Ross A Field 2008

Annette Kellerman

Indecent exposure

Annette Kellerman
Previous exhibition, 2011

'Diving Venus' and 'the perfect woman' are two of the numerous descriptions applied to Annette Kellerman, who achieved international fame during the early decades of the twentieth century.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency