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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Portrait of Captain James Cook RN

Cook in context

Magazine article by Diana Warnes, 2007

Robert Oatley's continuing benefaction has helped the National Portrait Gallery acquire works that add another layer to the story of Captain Cook.

The National Portrait Gallery

In the galleries

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

Dr Joseph Brown with Two Typists

Unboxed

Magazine article by Sandra Bruce, 2022

Sandra Bruce explores a new acquisition that has within it a story of interconnectivities in the Australian art world.

Edward Paine Butler

Poison pen

Magazine article by Michael Desmond, 2010

Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.

Francis Russell Nixon

Sketches and sermons

Magazine article by Jessica Smith, 2009

Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond

Self portrait, c.1900

Reflection

Magazine article by Michael Rosen, 2013

British novelist and poet, Michael Rosen, weaves a tale about his early encounters with creativity and the self-portrait of a childhood friend.

Miss Robertson of Colac (Dolly), 1885-86

Brothers on farms

Magazine article by Malcolm Robertson, 2011

Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.

The Cutmear sisters, Jane and Lucy, c. 1842

A man of superior attainments

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.

MacKenzie family silhouette

All there in black and white

Magazine article by Dr Sarah Engledow, 2007

The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.

Ma Khin Mar Mar Kyi

My Favourite Australian

Magazine article by Christine Clark, 2009

The Australian public was invited in 2008 to vote for their favourite Australian.  After the votes were tallied an exhibition of the top-ten Popular Australians and the top-twenty unsung heroes was displayed at the National Portrait Gallery.

John Coburn

101 photographic portraits

Magazine article by Michelle Fracaro, 2004

Pat Corrigan's generous gift of 100 photographic portraits by Greg Weight.

Bon Scott & Angus Young, Atlanta, Georgia

No shirt, no service

Magazine article by Dr Sarah Engledow, 2010

Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.

A Goldfields Member

Showing character

Magazine article by Joanna Gilmour, 2016

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

Charlie as he was, 2007

I'm not there

Magazine article by Dr Christopher Chapman, 2008
Christopher Chapman looks at some contemporary portraits that explore the construction of identity.
Dorothy Porter

Beautiful bones

Magazine article by Dr Sarah Engledow, 2011

Sarah Engledow reflects on the shared life and writing of Dorothy Porter and Andrea Goldsmith.

The Gladiators (Norm Provan and Arthur Summons)

Who's that?

Magazine article by Michael Desmond, 2009

Michael Desmond discusses the iconic picture of two Rugby League players which became known as 'The Gladiators'.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency