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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Quong Tart, 1880s

Finest quality

Magazine article by Joanna Gilmour, 2010

Joanna Gilmour explores the life of Chinese-Australian businessman and philanthropist Quong Tart.

Omai, Sir Joseph Banks and Daniel Solander, 1775-76

First encounters

Magazine article by Joanna Gilmour, 2011

Representations of the inhabitants of the new world expose the complexities of the colonisers' intentions.

Group photograph taken at the coronation of King George VI including Queen Elizabeth II, Duke and Duchess of Gloucester and the Queen Mother, 12 May 1937 by Hay Wrightson

Poise and Carats

About Face article

I keep going back to Cartier: The Exhibition at the National Gallery of Australia next door, and, within the exhibition, to Princess Marie Louise’s diamond, pearl and sapphire Indian tiara (1923), surely one of the most superb head ornaments ever conceived.

Senator Bonner

Black tie or wombat: How formal should I go?

Magazine article by Michael Desmond, 2008

Michael Desmond discusses the portrait of Senator Neville Bonner by Robert Campbell Jnr.

Untitled, 2020 Steph Fuller

The look and the feel

Living Memory exhibition essay
General content

Editor Stephen Phillips looks at the finalists' photographs through a judge's lens.

The Right Honourable Sir Ninian Stephen KGAK GCMG GCVO KBE QC, 2006 by Rick Amor

Prima facie

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.

Untitled, 2011 © Kelly Tunney

Something old, something new

Magazine article by Andrew Mayo, 2017

Andrew Mayo considers the changing face of modern wedding photography through the eyes of two of its finest exponents, Dan O’Day and Kelly Tunney.

Cachasunghia, Osage Warrior 1804–06 by Charles Balthazar Julien Févret de Saint-Mémin

Political profiles

Magazine article by Joanna Gilmour, 2016

Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.

The National Portrait Gallery

In the galleries

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

George Reid paperweight

Some prime ministers

General content

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

Gordon Darling Hall

Portrait of the Gallery

Magazine article by Graeme Dix, 2016

A design diary retrospective.

Thomas Sutcliffe Mort and his wife Theresa

Tiny Trace of a Colonial Giant

Magazine article by Dr Sarah Engledow, 2004

At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.

Chet Baker, singer, New York City, January 16, 1986 by Richard Avedon

The existential lens

Magazine article by Stephen Zagala, 2013

Stephen Zagala discusses Richard Avedon’s work from an Australian perspective.

Paul Kelly 30.11.1980 by Liz Reed

Pop poet

Magazine article by Dr Anne Sanders, 2013

Dr Anne Sanders previews the works in the new focus exhibition Paul Kelly and The Portraits.

Bee Miles

Good, bad and the ugly

Magazine article by Michael Desmond, 2007

Michael Desmond explores what makes a portrait subject significant.

Jenny Kee, 2015 Carla Fletcher

Twin chics

Magazine article by Joanna Gilmour, 2021

Joanna Gilmour on the exuberant union of fashion pioneers Jenny Kee and Linda Jackson, captured in luminescent splendour by artist Carla Fletcher.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency