Skip to main content
Menu

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Julia Matthews

Of Burke, Wills ... and wills

It's Complicated

Infatuation and (ill-fated) exploration

Queenie McKenzie Nakara

She saved his life. He showed her painting.

Nearest & Dearest

Leaders, painters, friends

Thilin-Thilin Gooragall Nyajaringil Garnkiny-nu (white gum tree, mother for the moon), 2018 by Shirley Purdie

Storytelling

General content

The fourth row of paintings interweave Ngarranggarni, memories, relationships and Country.

Free Range Cousins, 2015 by Jennifer Stocks

Children of the National Photographic Portrait Prize 2016

Learning resource
Learning resource archive

Senses, movement and imagination in portraits of children from the 2016 Prize. For Year 1 - 3 students.

Atong Atem standing behind a wooden table and next to a large leafy green plant

Atong Atem

Artists and Collectives

Atong Atem is an Ethiopian-born, South Sudanese artist and writer living in Narrm/Melbourne. Her work explores migrant narratives and postcolonial practices in the African diaspora.

Convict love token from J. Waldon, 1832

To coin a (farewell) phrase

Devotion

A penny for their thoughts

Dayiwool Ngarranggarni (Arygle dreaming), 2018 by Shirley Purdie

Ngarranggarni

General content

The third row of paintings come from Ngarranggarni (Dreaming).

image not online

Entry guidelines 2024

Little Darlings Youth Portrait Prize

Read the full requirements for entering the prize.

Naomi Hobson standing next to a wooden table and metal sink in her studio

Naomi Hobson

Artists and Collectives

Multidisciplinary artist Naomi Hobson, of the Kaantju language group and Patta skin group, after the Death Adder snake, lives and works on Country in Coen, Cape York Peninsula addressing powerful links between Country and identity.

Rosie Batty

Portrait of Rosie Batty Unveiled at Portrait Gallery

24 January 2018
Archived media releases 2018

The National Portrait Gallery has unveiled a newly commissioned portrait of Australian domestic violence campaigner and 2015 Australian of the Year Rosie Batty.

Silent Strength, 2021 Wayne Quilliam

National Photographic Portrait Prize 2022

Learning resources

Let’s look closely at the National Photographic Portrait Prize 2022 together! For students and family groups.

Ben McNamara

Ben McNamara

Vox pops

This is Marissa Gallagher from Kintore, which if you're in Alice Springs, just go west until the WA border, just before that, a traditional area of Pintupi mob.

Nambin (black headed python), 2018 by Shirley Purdie

Skin names

General content

The first row of paintings depict stories relating to kinship, introducing significant women relatives.

Mrs Woods and ‘Ere

Person and Place

General content

The connection between land and identity holds great significance in Australia. While for First Nations people, person and place are intertwined both culturally and spiritually, forming an intrinsic union between Country and self, stories of colonisation and migration are also deeply bound to this nation.

Judith Wright with Barbara Blackman

Audio description

Access

Hear and read detailed audio descriptions of selected artworks from our Collection as we turn the visual into the verbal.

The Chess Player, 2011 by Andrew Campbell

Andrew Campbell

NPPP 2012 learning resource

An interview with the photographer.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency