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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Sammy Dodd

2022 Annual Appeal

Annual Appeal

In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.

The Joy Of Life, 2002 by Janelle McKay

Headspace 3

Being Me
Previous exhibition, 2002

The self-portrait enables students to explore emerging and changing aspects of their own identity, their sense of self, their place in the world, their experience of being human

Terry Snow and China

Portrait Gallery unveils new commission

1 December 2017
Archived media releases 2017

The National Portrait Gallery unveiled its most recent portrait commission for the collection on Thursday 30 November 2017.

The photographer's shadow (Olive Cotton and Max Dupain)
The photographer's shadow (Olive Cotton and Max Dupain)
The photographer's shadow (Olive Cotton and Max Dupain)

The photographer's shadow (Olive Cotton and Max Dupain), c. 1935 (printed 1999)

Olive Cotton
Portrait, gelatin silver photograph on paper

Purchased 2010

Checkered Past, 2003 by Alex Epoff

Headspace 4

Facing Memory
Previous exhibition, 2003

Facing Memory: Headspace 4 provides us with valuable insights into the thoughts, creative processes and art-making practices of secondary students from Year 7 to Year 12 from sixty-two schools in the Australian Capital Territory, regional New South Wales and Victoria

Aboriginal couple, Finniss Springs Mission, South Australia
Aboriginal couple, Finniss Springs Mission, South Australia
Aboriginal couple, Finniss Springs Mission, South Australia

Aboriginal couple, Finniss Springs Mission, South Australia, 1959 (printed 2000)

David Moore
Portrait, gelatin silver photograph on paper

Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.

Slim Dusty and Dame Edna Everage, Carlton Hill Station, WA, 10 July 1993

Rarely Everage

The Lives of Barry Humphries
Previous exhibition, 2002

The exhibition begins with Barry's childhood in Camberwell, Melbourne and chronicles his days as a struggling actor in Australia and England, his creation of characters including Barry McKenzie, Dame Edna Everage, Sandy Stone and Sir Les Patterson

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency