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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Thilin-Thilin Gooragall Nyajaringil Garnkiny-nu (white gum tree, mother for the moon), 2018 by Shirley Purdie

Storytelling

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The fourth row of paintings interweave Ngarranggarni, memories, relationships and Country.

Nambin (black headed python), 2018 by Shirley Purdie

Skin names

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The first row of paintings depict stories relating to kinship, introducing significant women relatives.

Dayiwool Ngarranggarni (Arygle dreaming), 2018 by Shirley Purdie

Ngarranggarni

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The third row of paintings come from Ngarranggarni (Dreaming).

Untitled, 2010 by Jose Legaspi

Jose Legaspi

by Patrick D. Flores
Artist essays

Jose Legaspi was born in 1959 in Manila. He achieved degrees in zoology and biology before turning to fine arts in the mid-1980s.

Robyn Sweaney, 2016 by Mark Mohell

Robyn Sweaney

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Robyn's parents had two terriers, Wuff and Snuff. In spite of Snuff’s ominous name and a couple of close shaves – once, he jumped out of a moving car, and another time, on a long road trip, he was accidentally left behind at a petrol station – he outlived Wuff.

Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change...

NPPP 2017 exhibition essay
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Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

Nicholas Harding, 2016 Mark Mohell

Nicholas Harding

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Over the years the young Nicholas Harding got his hands on various mice and guinea pigs, but they served mainly to illustrate the concept of mortality. 

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Portrait Donors

Listed by year
Honour board
Darren McDonald, 2016 by Mark Mohell

Darren McDonald

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The wild balancing act of McDonald’s home décor (is that there as a joke? where do I actually sit down? is this ironic or what? what a lovely photo of Darren and Robin in Europe!) is reflected in his own personality.

The Art Lovers - Megan, 2013 by Gary Grealy

Everybody, look serious

NPPP 2014 exhibition essay
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Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2014 Prize.

Lucy Culliton, 2016 by Mark Mohell

Lucy Culliton

Explore The Popular Pet Show

Most well-regarded pictures of chickens show them dead. A reliable way to tell if a chicken in a painting is dead is to check if it’s hanging upside down, because unlike, say, cockatoos, chickens don’t practise inversion for enjoyment in life.

Life Dancers, 2015 by Elizabeth Looker

NPPP 2016 exhibition essay

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Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.

Self portrait

Rick Amor: 21 Portraits

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Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

Dr Anne Sanders

Less than six degrees of separation

Lecture, 28 May 2011
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Dr Anne Sanders NPG Curatorial Researcher investigated the lives of the pioneering psychologists whose portraits are featured in Inner Worlds.

David Marr, 2011 by Nicholas Harding

Nicholas Harding: 28 Portraits

Exhibition essay
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Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

Barry Humphries

Uncommon Australians

The vision of Gordon and Marilyn Darling
General content

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency