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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Greta In Her Kitchen, 36 weeks, 2018 by Alana Holmberg

Winner announced for National Photographic Portrait Prize 2019

22 February 2019

Archived media releases 2019

From an outstanding field of more than 3,000 entries, culminating in a shortlist of 39 exceptional finalists, the Winner and Highly Commended entries for this year’s National Photographic Portrait Prize have been named.

William Bligh

Old Blighty

Magazine article by Angus Trumble, 2016

Angus Trumble ponders the many faces of William Bligh.

The rose, 1927

The world of Thea Proctor

Magazine article by Dr Sarah Engledow, 2005

The world of Thea Proctor was the National Portrait Gallery's second exhibition to follow the life of a single person, following Rarely Everage: The lives of Barry Humphries.

Anna Matveyevna Pavlova (1885–1931)

The Pavlova

About Face article

It is a painful truth, but one which must be faced up to, that the pavlova, that iconic Australian dessert, a staple since the 1930s, was actually invented in New Zealand.

image not online

Talma Studios, Sydney

Talma Studios opened in Sydney in March 1899 in a George Street premises next door to the GPO.

1 portrait in the collection

Margaret Anderson

The line of fire

Magazine article by Michelle Fracaro, 2005

Michelle Fracaro examines the life of World War II nurse Margaret Anderson, whose portrait by Napier Waller is in the NPG collection.

Part of the crew of His Majesty's Ship Guardian endeavouring to escape in the boats

South-bound and down

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour recounts the story of ill-fated sea voyages in the early stages of the Antipodean colony.

‘Untitled’ - Yellow Kangaroo Paw, 2008 by Christian Thompson

The 'I' in Indigenous art

Magazine article by Jane Raffan, 2013

Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.

Graham Kennedy and the Seekers in Melbourne

Graham Kennedy and the Seekers in Melbourne

Graham Kennedy and the Seekers in Melbourne

Graham Kennedy and the Seekers in Melbourne, c. 1968

Robert Whitaker

Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Purchased 2007

Portrait of Louis Claude de Saulces de Freycinet

Louis Claude de Saulces de Freycinet

Louis-Claude Desaulses de Freycinet (1779–1842), hydrographer and cartographer, sailed with Nicolas Baudin on the Expédition aux terres australes, a journey of discovery, commissioned by Napoléon, to the unknown southern coast of New Holland.

1 portrait in the collection

Monument to Mrs. Moore St. Luke’s Church, Liverpool, Sydney

Waterloo and Mrs. Moore

About Face article

Beyond the centenary of the ANZAC landings at Gallipoli, a number of other notable anniversaries converge this year. Waterloo deserves a little focussed consideration, for in the decades following 1815 numerous Waterloo and Peninsular War veterans came to Australia.

Frances Alda

Bewitching

Magazine article by Roger Neill, 2006

Roger Neill delves into the life of a lesser-known Australian diva, Frances Alda.

Blue light hypnosis, 2020 Jill Velinos

Virtually yours

Magazine article by Gillian Raymond, 2022

Gill Raymond on creating thought-provoking, interactive content to connect to our online community through portraiture.

Writing on the Wall, 2019 Dr Christian Thompson AO

To arrive at hope

NPPP 2020 exhibition essay

General content

Penelope Grist, National Photographic Portrait Prize judge and curator, introduces the 2020 Prize.

Painter John Brack with Professor Alex Mitchell and Sir Garfield Barwick

Painter John Brack with Professor Alex Mitchell and Sir Garfield Barwick

Painter John Brack with Professor Alex Mitchell and Sir Garfield Barwick

Painter John Brack with Professor Alex Mitchell and Sir Garfield Barwick, c. 1977

Portrait, gelatin silver photograph on paper

Gift of the Jozef Vissel 2015

Portrait of Captain John Hunter

Goods and chattels

About Face article

I have been reading systematically through the ads in the earliest issues of the Sydney Gazette and New South Wales Advertiser, such a rich vein of information about certain aspects of daily life in Regency Sydney.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency