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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Babette Hayes, London

Babette Hayes, London

Babette Hayes, London

Babette Hayes, London, early 1960s

Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Gift of the artist 2005

Henry Reynolds

Henry Reynolds

Henry Reynolds (b. 1938), historian, studied at the University of Tasmania before taking up a lectureship at Townsville University College (later James Cook University) in 1965.

1 portrait in the collection

Reverend John Williams

Reverend John Williams

Reverend John Williams

Reverend John Williams, c. 1837

Portrait, wood engraving (Baxter print) on paper

Purchased 2012

a Traveller (2nd Baron Lamington)

Charles Wallace Alexander Napier Cochrane-Baillie

Charles Wallace Alexander Napier Cochrane-Baillie, 2nd Baron Lamington (1860–1940) had served four years in the House of Commons before being appointed governor of Queensland in October 1895.

1 portrait in the collection

Portrait of Captain James Cook RN

In the National Interest

Magazine article by Andrew Sayers AM, 2003

In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.

Margaret Fulton

Margaret Fulton

Margaret Fulton

Margaret Fulton, 1980 (printed 2002)

Portrait, type C photograph on paper

Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018 winner announced

Archived media releases 2018

Finalists have been eagerly awaiting the announcement of the Winner and Highly Commended for the National Photographic Portrait Prize since December. It is our pleasure to announce the Winner for 2018 is Lee Grant for her portrait titled Charlie and Highly Commended has been awarded to Filomena Rizzo for her portrait titled My Olivia.

Anne Boyd

Anne Boyd AM

Anne Boyd AM (b. 1946), composer and teacher, was born in Sydney and studied composition with Peter Sculthorpe at the University of Sydney before earning a PhD at the University of York.

1 portrait in the collection

Sir Asher Joel

Sir Asher Joel

Sir Asher Joel (1912-1998), public relations entrepreneur and state politician, started out as a copyboy at Sydney’s Daily Telegraph.

1 portrait in the collection

'Timbere sauvage de la nouvelle galles du sud en grand costume (Relache au Port Jackson)'

'Timbere sauvage de la nouvelle galles du sud en grand costume (Relache au Port Jackson)'

'Timbere sauvage de la nouvelle galles du sud en grand costume (Relache au Port Jackson)'

'Timbere sauvage de la nouvelle galles du sud en grand costume (Relache au Port Jackson)', 1822

Pierre Langlume after Jacques Etienne Victor Arago

Portrait, lithograph on paper

Collection: National Portrait Gallery
Purchased 2011

Margel and Tarquin, Canberra

The Hinders: doyens of Australian modernism

Progressive partnership

Wainburranga (Paddy Fordham)

Wainburranga (Paddy Fordham)

Wainburranga (Paddy Fordham)

Wainburranga (Paddy Fordham), 1986

Martin van der Wal

Portrait, inkjet print on rag paper

Purchased 2005

Queenie McKenzie Nakara

Queenie McKenzie Nakara

Queenie McKenzie (c. 1930–1998) was a prominent Gija artist in the East Kimberley painting movement.

1 portrait in the collection

Queenie McKenzie Nakara

She saved his life. He showed her painting.

Nearest & Dearest

Leaders, painters, friends

Field Marshal the Lord Birdwood

Centenary of ANZAC

About Face article

Just now we pause to mark the centenary of ANZAC, the day when, together with British, other imperial and allied forces, the Australian and New Zealand Army Corps landed at Gallipoli at the start of the ill-starred Dardanelles campaign.

James, 2012 by Myles Nelson

Myles Nelson

Finalist interviews

It was definitely a candid encounter as was the expression on the face. It was constructed insofar as the image was deliberately taken from a distance so as to minimize intrusion and to magnify the effect of the image.

© National Portrait Gallery 2024
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency