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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Greta In Her Kitchen, 36 weeks, 2018 by Alana Holmberg

Canon Australia takes National Photographic Portrait Prize first place to new heights

5 September 2018

Archived media releases 2018

Entries are now open for the National Photographic Portrait Prize 2019, with the winner set to receive $52,000 in cash and prizes, including superb contributions from new sponsor, Canon Australia.

The Quiet Australian

Magazine article by Brian Dale, 2001

Robert Oatley talks about the repatriation of the John Webber portrait of Captain James Cook.

Queen Elizabeth II

Biography

Her Majesty Queen Elizabeth II (1926–2022) was the first child of the Duke and Duchess of York, who subsequently became King George VI and Queen Elizabeth.

4 portraits in the collection

A Meeting of Great Minds

Magazine article by Simon Elliott, 2002

The story behind Rick Amor's portrait of Professor Peter Doherty.

Sideshow Alley

Infamy, the macabre & the portrait

Previous exhibition, 2015

Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.

True Stories

Magazine article by Simon Elliott, 2005

The story behind the creation of the portrait of Helen Garner by Jenny Sages.

National Photographic Portrait Prize 2022

Learning resources

Let’s look closely at the National Photographic Portrait Prize 2022 together! For students and family groups.

The first Australian first-class cricket team to tour England and North America

The first Australian first-class cricket team to tour England and North America, 1878

A & G Taylor

Portrait, albumen photograph on carte de visite

Collection: National Portrait Gallery
Purchased 2013

The story of us

Magazine article by Penelope Grist, 2022

Gallery directors Karen Quinlan and Tony Ellwood talk to Penelope Grist about the NPG and NGV collaborative exhibition, Who Are You: Australian Portraiture.

101 photographic portraits

Magazine article by Michelle Fracaro, 2004

Pat Corrigan's generous gift of 100 photographic portraits by Greg Weight.

Portrait of the Gallery

Magazine article by Graeme Dix, 2016

A design diary retrospective.

Time and light

In Gallery Seven

Previous exhibition, 2023

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

Portrait of Professors Margaret Gardner and Glyn Davis

Portrait of Professors Margaret Gardner and Glyn Davis, 2017

Jacqueline Mitelman

Portrait, type C photograph on paper

Commissioned with funds provided by Jim and Barbara Higgins, Sir Roderick Carnegie AC, Rupert Myer AO and Annabel Myer, Louise and Martyn Myer Foundation, Peter and Ruth McMullin, Diana Carlton, Professor Derek Denton AC, Harold Mitchell AC, Peter Jopling AM KC, Andrew and Liz Mackenzie, Patricia Patten, Tamie Fraser AO, Bruce Parncutt and Robin Campbell, Lauraine Diggins, Steven Skala AO and Lousje Skala 2017

Melanie Faith Dove

Finalist interviews

I had been watching Agnes with intrigue, her face and profile were so mesmerizing. On our final day together I pulled her aside and convinced her that she had such an amazing face that I needed to get a photograph for myself. It was very spontaneous in that I decided quickly how it would best look and shot it in only two frames.

An Australian story

Magazine article by The Hon. Dr Kevin Rudd, 2009

In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.

Krystal Seigerman

Finalist interviews

The photograph was a brief, candid moment, which unfolded into a portrait. Peter and I were in Silverton, NSW, chatting as our students explored the town. The weak afternoon light suddenly became dramatic and defined, so I asked Peter if I could take his portrait.

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