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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Baz Luhrmann

Glossy 2

Faces, Magazines, Now
Previous exhibition, 2005

Following the success of Glossy: Faces, Magazines, Now in 1999 the National Portrait Gallery again highlights the huge array of contemporary portraiture in the pages of magazines.

Harry Seidler, Killara, Sydney

A Captured Moment

Magazine article by Simon Elliott, 2001

The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.

Li Cunxin

Twenty new portraits marking Portrait Gallery’s twentieth birthday

21 August 2018
Archived media releases 2018

To celebrate the National Portrait Gallery’s twentieth anniversary as an institution, twenty portraits of outstanding Australian individuals have been commissioned for the permanent collection. This is the largest undertaking for the Gallery’s commissioning program in its twenty-year existence.

Stuart, 2008

Interiors

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman previews the National Photographic Portrait Prize 2009.

Monument to Mrs. Moore St. Luke’s Church, Liverpool, Sydney

Waterloo and Mrs. Moore

About Face article

Beyond the centenary of the ANZAC landings at Gallipoli, a number of other notable anniversaries converge this year. Waterloo deserves a little focussed consideration, for in the decades following 1815 numerous Waterloo and Peninsular War veterans came to Australia.

Andy Thomas

Uncommon Australians

The vision of Gordon and Marilyn Darling
Previous exhibition, 2015

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

Artists and guests at the
doppelgnger exhibition
launch on Portrait Island

Virtually human

Magazine article by Gillian Raymond, 2009

Gillian Raymond describes the National Portrait Gallery's second virtual exhibition doppelgänger.

Silent Strength, 2021 Wayne Quilliam

National Photographic Portrait Prize 2022

Previous exhibition, 2022

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Lord Kitchener

Lord Kitchener

Imperial strategist
About Face article

Once central to military strategy and venerated in patriotic households, Lord Kitchener is now largely forgotten.

Greta In Her Kitchen, 36 weeks, 2018 by Alana Holmberg

Canon Australia takes National Photographic Portrait Prize first place to new heights

5 September 2018
Archived media releases 2018

Entries are now open for the National Photographic Portrait Prize 2019, with the winner set to receive $52,000 in cash and prizes, including superb contributions from new sponsor, Canon Australia.

Portrait of Captain James Cook RN

The Quiet Australian

Magazine article by Brian Dale, 2001

Robert Oatley talks about the repatriation of the John Webber portrait of Captain James Cook.

Professor Peter Doherty

A Meeting of Great Minds

Magazine article by Simon Elliott, 2002

The story behind Rick Amor's portrait of Professor Peter Doherty.

Ned Kelly death mask

Sideshow Alley

Infamy, the macabre & the portrait
Previous exhibition, 2015

Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.

True Stories - Helen Garner

True Stories

Magazine article by Simon Elliott, 2005

The story behind the creation of the portrait of Helen Garner by Jenny Sages.

Silent Strength, 2021 Wayne Quilliam

National Photographic Portrait Prize 2022

Learning resources

Let’s look closely at the National Photographic Portrait Prize 2022 together! For students and family groups.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency