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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

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Murray Bail

c. 1990
Jinx Nolan

oil on composition board (frame: 26.5 cm x 26.5 cm depth 2.5 cm)
Image not available (NC)

Artist Jinx Nolan’s vibrant painting of writer Murray Bail (b. 1941) recalls many of her adoptive father Sidney Nolan’s portraits in its expressive execution and simplicity of form. It is a diminutive yet distinctive work, a modern-day ‘miniature’ that demonstrates wit and verve.

Bail has created enduring, distinctive and original stories on Australian themes and experiences. He spent several years in London in the late 1960s and early 1970s, where he wrote for the Transatlantic Review and the Times Literary Supplement, and published his first book of short stories, Contemporary Portraits and Other Stories in 1975. His first novel Homesickness (1980) won the National Book Council Award and shared the Age Book of the Year Award; Holden’s Performance (1987) won the 1988 Victorian Premier’s Award for fiction. His critically acclaimed 1998 novel Eucalyptus, which won the Miles Franklin Award, Australia’s most prestigious literary prize, has been voted one of the top 20 must-read Australian novels. In 2021 he published his collection of autobiographical writings, He.

Gift of an anonymous donor 2021

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Jinx Nolan (age 49 in 1990)

Murray Bail (age 49 in 1990)

Related portraits

1. Murray Bail, 1980-1981. All Fred Williams.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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