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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Mary Chomley

1909
Violet Teague

oil on canvas (frame: 152.0 cm x 117.0 cm)

Mary Chomley OBE (1872–1960), charity worker, arts patron and feminist, has been described as the 'divine angel of mercy' for Australian prisoners of war during the First World War. Founder of the Victorian Arts and Crafts Society, she was secretary of the committee who organised the First Australian Exhibition of Women's Work in Melbourne, now considered a landmark event in the history of women’s art in Australia. After travelling to England in June 1914, Chomley was prevented from getting home by the outbreak of war. She threw herself into work: teaching English to refugees and volunteering at the Robert Lindsay Memorial Hospital for Officers. In 1916, she joined the Australian Red Cross, coordinating a team of volunteers to distribute thousands of parcels to prisoners of war. Remaining in London after the armistice, Chomley worked with organisations investigating working conditions and opportunities for British immigrant women in Australia. She returned permanently to Melbourne in 1934, resuming her work with the Victoria League for Commonwealth Friendship and the Arts and Crafts Society.

Well-known for her sophisticated portraits of assured, commanding women, Violet Teague's elegant and vivacious painting of Chomley was considered to be a stand out when shown in a solo exhibition held at the Guild Hall in Melbourne in 1909. Teague and Chomley knew each other socially and were both involved in the Arts and Crafts Society.

Purchased with the assistance of funds provided by Jillian Broadbent AC 2021

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Violet Teague (age 37 in 1909)

Mary Elizabeth Maud Chomley OBE (age 37 in 1909)

Supported by

Jillian Broadbent AC (7 portraits supported)

Macquarie Bank (1 portrait supported)

Related portraits

1. Eccleston Du Faur, 1911. All Violet Teague.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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