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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Her Majesty

1860
John J. Mayall

from the series ‘The Royal Album’
albumen paper carte de visite photograph on card (image: 8.5 cm x 5.6 cm, sheet: 10.3 cm x 6.1 cm)

This carte de visite is part of a suite of photographs taken in London in 1860. In May that year, it was reported in The Times that English photographer John Jabez Edwin Mayall had been ‘honoured by The Queen’s commands to attend at Buckingham Palace’, where he created ‘a series of highly successful portraits of Her Majesty, his Royal Highness the Prince Consort’ and several of their nine children. Though hardly the first photographs taken of the royal family, Mayall’s portraits represented a seismic departure from convention in two key respects: firstly, that Queen Victoria had chosen to be documented in the humble, democratic form of the carte de visite; and secondly, even more radically, that she had consented to the photos being printed in large numbers and made available to her subjects. Issued as a set titled ‘The Royal Album’, sales of the photographs are said to have netted Mayall some £35,000 and started a craze for collecting cartes de visite in the English-speaking world.

Queen Victoria (1819–1901) was monarch for 63 years and seven months, her reign corresponding with the advent and progress of photography. An enthusiastic collector of cartes-de-visite herself, she is often described as the world’s first media monarch for having so successfully harnessed photography to disseminate and control her public image.

Purchased 2020

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

John J. Mayall (age 47 in 1860)

Queen Victoria (age 41 in 1860)

Subject professions

Government and leadership

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency