The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.
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Peter Hall (1931-1995), architect, completed the Sydney Opera House after the Danish architect Jørn Utzon resigned from the project and left Australia in 1966. He gained a travelling scholarship to study modernist architecture in Europe where he met Utzon. Hall was offered the job of designer appointed by the government to finish the ‘building’ which Utzon had left after other architects had refused the job. Once he had talked to Utzon, satisfied that he would never return, Hall took on the formidable task. Radical compromise to Utzon’s plans was required and Hall carried it through despite the ire and scorn of the design and architecture community. Later, he worked privately and in the Department of Construction and Housing in Canberra. Hall died prematurely, alcoholic and bankrupt in 1995. The 40th anniversary celebrations of the Sydney Opera House in 2013 virtually ignored the post-Utzon phase of the building, which was more than half of its construction time. Yet research since 2007 has built Hall’s non-existent reputation and it is now widely acknowledged that his valiant work on the building cost him his career.
Collection: National Portrait Gallery
Gift of Mrs Lily Kahan 2017
Donated through the Australian Government's Cultural Gifts Program
© Louis Kahan/Copyright Agency, 2024
Lily Kahan (52 portraits)
On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves.
Sarah Engledow on a foundational gallery figure who was quick on the draw.
Eye to Eye is a summer Portrait Gallery Collection remix arranged by degree of eye contact – from turned away with eyes closed all the way through to right-back-at-you – as we explore artists’ and subjects’ choices around the direction of the gaze.
The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.
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