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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Self portrait

c. 1982
Bea Maddock AM

photo screenprint with ballpoint pen framing lines on paper (sheet: 15.3 cm x 10.0 cm)
Image not available (NC)

Bea Maddock was born in Hobart and studied there before attending London’s Slade School from 1959 to 1961. After returning home she taught ceramics, drawing and printmaking in Launceston, and made a number of self portraits in etching and woodcut. Moving to Melbourne, she taught at the National Gallery of Victoria School and in her practice – inspired by Andy Warhol and others – she became increasingly interested in photographic processes such as photo-screenprinting and photo-etching. From 1979 to 1980 she made a large wax-coated collage of embossed hand-made paper words on commission for the new High Court in Canberra. Following the loss of her home and studio in the Ash Wednesday fires in early 1983, she went back to Tasmania. In all, between 1964 and 2006, Maddock held more than 40 solo exhibitions and her work was included in over 70 Australian and international group shows. From 1993 to 1998 she worked on Terra Spiritus: With a Darker Shade of Pale, a monumental 52-sheet panorama of the entire coastline of Tasmania made from ochre pigment she sourced and ground herself, and featuring placenames in local First Nations languages in refutation of the colonial notion of terra nullius – uninhabited land.

Gift of David Archer 2016

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Bea Maddock AM (age 48 in 1982)

Subject professions

Visual arts and crafts

Donated by

David Archer (2 portraits)

Related portraits

1. Fleeing figure, 1988. All Bea Maddock AM, Larry Rawlings.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency