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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.
Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.
Although Arthur Boyd AC OBE is widely recognised for his landscapes and mythical subjects, and produced relatively few portraits, he made a number of paintings of family and friends, all redolent of his interest in deep human truths. In the background of this portrait of Carl Cooper (1912–1966), under a lowering sky, appear motifs characteristic of Boyd’s work: a flying creature and denuded trees. This psychologically intense painting conveys Cooper’s deep mental and physical discomfort.
Cooper studied at the East Sydney Technical College and the Royal College of Art in London. He contracted poliomyelitis in his twenties and lost the use of his legs. In hospital he met the artist John Perceval, who introduced him to the Boyd family. Arthur Merric Boyd and Perceval had opened the AMB pottery near the Boyd family home in Murrumbeena, just outside Melbourne, in the mid-1940s, where Cooper began making incised earthenware pieces. Arthur Boyd recollected Cooper as a ‘dissatisfied, fierce, crushed’ figure, a sentiment he has captured in this portrait. Cooper eventually set up his own studio, but illness forced him to cease production in 1963.
Collection: National Portrait Gallery
Bequest of Alan Boxer 2014
© Arthur Boyd
Arthur Boyd's work reproduced with the permission of the Bundanon Trust
Estate of Alan Boxer (2 portraits)



On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves.



Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.



Patrick McCaughey explores a striking Boyd self portrait.
The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.
This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.
The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.
The National Portrait Gallery is an Australian Government Agency