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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Willie Edward Harney, aged 18

c. 1913
an unknown artist

gelatin silver photograph on paper (sheet: 13.7 cm x 9.7 cm, image: 13.3 cm x 9 cm)

William Edward (Bill) Harney (1895–1962), bushman and raconteur, spent his childhood in Charters Towers and Cairns and started working as a stockman and boundary rider at the age of twelve. He joined the AIF in 1915 and served on the Western Front. He worked at various jobs after the war, jackarooing and trepang-harvesting among them, before joining the Commonwealth’s Native Affairs Branch in 1940. Based in the Northern Territory, he worked as Protector of Aborigines and as a patrolman; and in the early 1940s began to contribute articles to magazines such as Walkabout and The Bulletin. Harney weathered a series of personal tragedies during the 1930s and 1940s – the loss of his wife and daughter to tuberculosis; and of his son in a drowning accident – and in 1948 retired to a beach shack near Darwin, where he intended to live off the land and write books. By this time, however, having worked alongside Aboriginal people for many years, Harney was considered an authority on Indigenous culture and was consulted by anthropologists, film crews, expedition leaders and others. In 1957, he was appointed the first park ranger for Uluru and Kata Tjuta (or Ayers Rock and the Olgas, as they were then known); he spent six months walking the base of Uluru and learning its story from traditional owners. Harney became something of a tourist drawcard in his own right, known for his campfire-side yarning. By the time he died in his native Queensland in late 1962, Harney had written numerous books, stories and poems based on his own experiences and on the Aboriginal stories and culture of the Top End.

Collection: National Portrait Gallery
Purchased 2012

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

William Edward Harney (age 18 in 1913)

Related portraits

1. Willie Edward Harney, aged 18, c. 1913. All an unknown artist.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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