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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Trukanini

1866 (printed 1890s)
Charles Woolley

glass plate negative (sheet: 10.5 cm x 8.2 cm)

Hostilities between colonisers and First Peoples in lutruwita (Tasmania) in the 1820s led to a policy for the removal of the Palawa to Wybalenna, a mission station on Flinders Island in Bass Strait. An evangelically inclined settler named George Augustus Robinson was appointed to bring this policy into effect. Between 1830 and 1835 he conducted a series of journeys around the island by which Palawa were persuaded into banishment. Trukanini (c. 1812–1876) was one of the leaders who acted as Robinson’s guide. A Nuennone woman, Trukanini experienced the loss of her mother, sister and intended husband – all because of white violence – at a young age, and she joined Robinson’s mission believing it might help prevent further bloodshed. She was among the people exiled to Wybalenna in 1835, but held to her traditional ways despite the expectation that the people there would adopt European customs and religion.

Trukanini and her compatriots are the subject of many portraits, made between the 1830s and the 1870s by artists including painter Benjamin Duterrau and sculptor Benjamin Law. Photographs such as this – originally taken by Charles Woolley in nipaluna in 1866 and reprinted in the 1890s – would have been read by colonists as ‘admirable likenesses’ and evidence of a supposedly disappearing culture. Yet what they reveal is that their subjects remained fiercely proud of their traditions and defiant in the face of concerted efforts to negate or diminish their culture and identity. Trukanini's portrait, for example, shows her wearing maireener shell necklaces – the making of which remains a powerful cultural tradition for descendants of her contemporaries.

Purchased 2011

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Charles Woolley (age 32 in 1866)

Trukanini (age 54 in 1866)

Subject professions

Government and leadership

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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