The Gallery will be open until 9pm this Friday, Saturday and Sunday.
Arthur Phillip (1738–1814) was appointed by the British Home Office in 1786 to command the first fleet of convicts to New South Wales. By this time, Phillip was a well-regarded servant of the state. Having joined the Royal Navy at seventeen, he had fought in the Seven Years’ War and the war against American Independence, and worked as a spy in France. His fleet arrived in Botany Bay in mid-January 1788, though Phillip quickly decided that Port Jackson, or Warrane, further north would be a better position for the intended colony. Under official instruction to establish good relations with the Indigenous locals, Phillip, as governor, tried for several months to engage a willing go-between. When all efforts failed, he forced the issue by kidnapping two men. Colebee soon escaped, but Bennelong chose to remain. Following a tumultuous first two years, the relationship between Phillip and Bennelong found equilibrium: Bennelong helped secure a period of relative peace while Phillip gave Bennelong critical information about British ways. This engraving copies a portrait by the painter Francis Wheatley, which was made in London upon Phillip’s appointment. Phillip holds a chart of NSW in his hand. Wheatley’s commissioned depictions of Phillip relied heavily on the neoclassical style of Joshua Reynolds.
Collection: National Portrait Gallery
Purchased 2010
On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves.
A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.
1 January 2015
In recent years I have become fascinated by the so-called Sydney Cove Medallion (1789), a work of art that bridges the 10,000-mile gap between the newly established penal settlement at Port Jackson and the beating heart of Enlightenment England.
