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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Sir Henry Barkly

c. 1863
Batchelder & O'Neill

albumen photograph carte de visite on card (support: 9.7 cm x 6.0 cm)

Sir Henry Barkly GCMG KCB (1815–1898) started his career in business and politics before serving terms as governor of British Guiana and then Jamaica. Appointed governor of Victoria, he arrived in the colony on Christmas Eve 1856, just a few weeks after the first sitting of its newly-created parliament. His term began terribly when his wife and newborn son died as the result of a phaeton accident in April 1857, occasioning much public sympathy. Over the next six years Barkly's priority was securing stable government - a challenge, as into the 1890s the parliament was to comprise generally independent members who clumped and reclumped into factions according to the issues of the day, including land settlement, education, constitutional and electoral reform and payment of parliamentarians. Barkly proved a reliable interpreter of colonial affairs to Britain. Meanwhile, he was a strong supporter of philanthropic and intellectual movements; he was a founder and President of the Royal Society of Victoria, and helped to found the National Gallery, the Acclimatization Society and the National Observatory. In 1863 he became Governor of Mauritius; seven years later he was sent to the Cape of Good Hope. He was recalled to England in 1877, having made several regrettable decisions in Africa. However, after his return he was made a member of the royal commission on Colonial defence. In retirement, as an elected Fellow of the Royal Society and the Royal Geographical Society, he applied himself to science. Barkly is commemorated in the Barkly Tablelands, a huge area of the Northern Territory between Camooweal and Tennant Creek.

The preeminent Melbourne photographic firm Batchelder & O’Neill had its origins in the studio founded on Collins Street in 1854 by the Massachusetts-born photographer Perez Mann Batchelder (1818–1873), who had come to Victoria after several years in California. Batchelder’s brothers Benjamin (1826–1891), Nathaniel (1827–1860) and Freeman (life dates unknown) joined him in Melbourne in February 1856. The firm promised ‘Portraits taken on Glass and Silver Plates by the Collodion and Daguerreotype Process, in the highest perfection of the art’ and ‘in a style surpassed by none in the colonies’. The studio also offered tuition in photography and ‘supplied [the trade] with apparatus and materials of every description.’ Perez Batchelder left Victoria in 1857 and another American, Daniel O’Neill, joined the business. By late 1864, Batchelder & O’Neill – with O’Neill as sole partner – had relocated to Swanston Street. O’Neill later moved to Sydney, where in April 1868 he advertised the availability of his carte de visite of the Duke of Edinburgh’s would-be assassin Henry O’Farrell a week before his execution. Meanwhile, Perez Batchelder had returned to Boston, where he died in 1873. By 1866 the old firm no longer existed, but other photographers traded under the names ‘Batchelder’s Portrait Rooms’ and ‘Batchelder & Co.’ from 1866 to 1895.

Collection: National Portrait Gallery
Purchased 2010

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Batchelder & O'Neill

Sir Henry Barkly GCMG KCB (age 48 in 1863)

Subject professions

Government and leadership

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Lady Barkly
Lady Barkly
Lady Barkly
Lady Barkly

A real Pratt

Magazine article by Dr Sarah Engledow, 2015

The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.

Sir Henry Barkly

Portrait story

An interview with former National Portrait Gallery Director, Andrew Sayers, who describes the portrait of Sir Henry Barkly by Thomas Clark.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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