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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

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Jean Bellette

1937
Adrian Lawlor

oil on composition board (frame: 50 cm x 42.5 cm, support: 38.1 cm x 30.4 cm)

Jean Bellette (1908–1991), painter, studied in her native Hobart before moving to Sydney to train with Julian Ashton. She married Paul Haefliger, art critic, and after a period in England they returned to Sydney at the end of the 1930s. Here she built her reputation on neoclassical figures in landscapes, contributing illustrated articles to Art in Australia and teaching at the East Sydney Technical College. She won the Sulman Prize in 1942 and 1944. She and Haefliger bought a cottage in Hill End, New South Wales, and hosted many amongst the first wave of artists to the area, but from 1957 onward the couple lived in Mallorca, Spain, where she painted some of her finest works. Four years after Adrian Lawlor painted this portrait of her, most of his paintings were destroyed in a fire at his Warrandyte home. Subsequently, he established his reputation as a critic, but following the death of his wife and the failure of his novel, The Horned Capon (1949), he spent his last twenty years in sad decline. Fewer than sixty of his paintings are known to have survived.

Collection: National Portrait Gallery
Purchased 2009
© Estate of Adrian Lawlor

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Adrian Lawlor (age 48 in 1937)

Jean Bellette (age 29 in 1937)

Subject professions

Visual arts and crafts

Related portraits

1. Self portrait, c. 1940. All Adrian Lawlor.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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