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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Portrait of Henry Kendall

c. 1890-1894
S. Milbourn Jnr

albumen silver photograph on cabinet card (support: 16.5 cm x 10.7 cm, image: 13.5 cm x 10.1 cm)

Henry (Thomas Henry) Kendall (1839-1882) was once regarded as the finest poet Australia had produced. Kendall received a limited education and worked on a whaling ship before contributing his first poems to the Month in 1859. In 1861 he commenced employment as a clerk, and by 1866 he was working in the Colonial Secretary’s Office in Sydney. Over this period his reputation as a poet grew through the appearance of the volume Poems and Songs (1862) and his regular contributions to publications in Sydney and Melbourne. The volume Leaves from Australian Forests (1869) garnered critical praise but sold poorly; in late 1870, in bad physical and financial shape, he was charged with forging and uttering a cheque. Successfully defended by WB Dalley on the grounds of insanity, he lost his wife and children, and became a derelict. In due course he was committed to the Gladesville Hospital, but friends took him in, and eventually he was able to regain his family and resume his writing. His Songs from the Mountains (1880) was a great success. Henry Parkes intervened to secure his appointment as inspector of forests in 1881, but the following year he died of tuberculosis. He was the first of a number of prominent Australian poets and literary figures – including Henry Lawson, Dorothea McKellar and Jules Francois Archibald – to be buried in Waverley Cemetery.

Collection: National Portrait Gallery
Purchased 2008

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

S. Milbourn Jnr (age 27 in 1890)

Henry Kendall

Related portraits

1. Adam Lindsay Gordon, 1890-1894. All S. Milbourn Jnr.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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