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The Mutineers turning Lieut Bligh and part of the Officers and Crew adrift from His Majesty's Ship the Bounty

1790
Robert Dodd and B B. Evans (publisher)

aquatint engraving on paper (sheet: 45.5 cm x 62.0 cm)

William Bligh (1754–1817), naval officer and colonial governor, was born in Plymouth and first went to sea around the age of eight. Aged sixteen, he joined the Royal Navy, and six years later was appointed to Cook’s third voyage as Master of HMS Resolution. Bligh’s main task was to make charts, and on the voyage he honed the exceptional navigational skills that would become – along with volatility and authoritarianism – his best-known characteristics. Subsequently promoted to Lieutenant, he served in the West Indies before being appointed commander of HMS Bounty, which was to embark on a voyage to Tahiti to collect breadfruit plants for British settlements in the Caribbean. The Bounty left Portsmouth in December 1787 and arrived in Matavai Bay almost a year later. During the Bounty’s subsequent five-month stay, many crew members became happily accustomed to Tahitian ways and formed relationships with local women – attachments cited by Bligh as the most likely cause of the mutiny, led by second-in-command Fletcher Christian, that took place three weeks after they sailed from Tahiti in April 1789. According to Bligh’s account, he was dragged from his cabin at sunrise, bound and repeatedly threatened with death before being set adrift in the ship’s launch with eighteen supporters. The voyage that ensued is considered one of history’s most remarkable feats of seamanship, as Bligh, with minimal provisions and no maps, successfully navigated the open boat over 3000 miles to Timor, losing only one of his men and during the voyage charting part of the coast of Australia. Christian and the mutineers returned to Tahiti before sailing with eighteen companions to Pitcairn Island, where they burnt the Bounty at sea. Another fourteen mutineers were captured in Tahiti but some perished when the ship sent to apprehend them sank. Three of the ten mutineers eventually brought to trial in England were hanged. Honourably acquitted by the customary court martial that followed the loss of a ship, Bligh made a second, successful breadfruit- collecting voyage to Tahiti in the Providence between 1791 and 1793. In 1805, on the recommendation of Sir Joseph Banks, Bligh was appointed governor of New South Wales, taking up the post in August 1806 with a brief to curb the trade in rum and the influence of powerful, wealthy colonists. Again, despite his general integrity, Bligh’s abrasive manner and rigid adherence to orders created conflict over issues such as land, planning and convict labour. This led ultimately to Australia’s first and only military coup, the so-called ‘Rum Rebellion’ of January 1808, wherein Bligh was deposed by the New South Wales Corps and held under house arrest in Sydney for more than a year. After returning to England in 1810, Bligh was eventually promoted to Vice Admiral. He died in London, survived by his six daughters.

Robert Dodd (1748–1816) was a leading painter of maritime and military subjects. He lived and worked in London and exhibited with the Society of Artists and at the Royal Academy between 1782 and 1809. Dodd was also a printmaker, issuing many of his paintings as engravings. His works are characterised by their high drama and include detailed studies of famous ships, representations of naval actions, and battle scenes from the Napoleonic and American Revolutionary wars. His image of the Bounty mutiny is perhaps the best-known contemporary depiction of the incident and was published in the same year as Bligh’s account of the event and his extraordinary voyage in the longboat. The image also contains a depiction of Fletcher Christian, who is standing atop the stern of the Bounty between two breadfruit trees.

Purchased with funds provided by the Ian Potter Foundation 2008

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Robert Dodd (age 42 in 1790)

B B. Evans

William Bligh (age 36 in 1790)

Fletcher Christian (age 26 in 1790)

Subject professions

Government and leadership

Supported by

The Ian Potter Foundation (13 portraits supported)

Ross A. Field (12 portraits supported)

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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