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Cressida Campbell AM (b. 1960), artist, has worked for decades in a studio at her home in Bronte, Sydney. As children, she and her siblings provided material for their father, the writer Ross Campbell, who contributed funny, gentle columns on their home life at 'Oxalis Cottage' to the Women's Weekly and the Sunday Telegraph from the 1950s to the 1970s. Having trained at East Sydney Technical College and the Yoshida Hanga Academy, Tokyo, Campbell held her first solo exhibition in Sydney in 1979. A decade later she began showing with Rex Irwin Art Dealer (now Olsen Irwin), and in 1994 joined with Philip Bacon Galleries in Brisbane, remaining with both through the 1990s and 2000s and at length gaining a Melbourne gallerist, too, in Sophie Gannon. Campbell's technique is distinctive, painstaking and slow, involving drawing on wood, carving the outlines of the drawing, hand-painting the incised wooden block, wetting it and passing it through a press with paper. Two unique artworks result – one on paper, and one on wood, each of which are further treated by hand. Her interiors, still lifes, landscapes and flower studies are coveted by collectors and experienced critics rate them among Australia's most refined and timeless contemporary artworks. The Woodblock Paintings of Cressida Campbell (2008), the production of which was meticulously overseen by Campbell's late husband, Peter Crayford, during his terminal illness, is widely regarded as the most luxurious book on the work of any Australian artist.
Gift of Patrick Corrigan AM 2004. Donated through the Australian Government's Cultural Gifts Program.
© Gregory Weight/Copyright Agency, 2024
Patrick Corrigan AM (130 portraits)
On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves.
Greg Weight on working with Jiawei Shen, and starting out as a photographer.
Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.
The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.
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