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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Colin Lanceley

1980s
Max Dupain OBE

gelatin silver photograph on paper (sheet: 50.5 cm x 40.5 cm, image: 42.2 cm x 40.5 cm)

Colin Lanceley (b. 1938), painter, printmaker and sculptor, arrived in Australia from New Zealand as a baby. In the 1950s he undertook a diploma in painting at the National Art School under John Passmore. In 1961, while still a student at the East Sydney Technical College, he became a founding member of the trio known as the Annandale Imitation Realists, who exhibited their zany collaborative assemblages of paint and junk at the Rudy Komon Gallery and Melbourne's Museum of Modern Art and Design. Although the group dissolved when Lanceley left for Europe in 1965 on the Helena Rubenstein scholarship, the iconography of the constructed world continued to evolve through his whimsical Miro-like prints, as well as in his paintings embellished with three-dimensional tubular shapes. Through the sixties and seventies Lanceley established a reputation in London; he taught at the Chelsea School of Art and his works were acquired by the Tate and the V&A. He exhibited regularly in Australia and returned to Sydney to live in the 1980s. He is the subject of several monographs and an ABC documentary.

Gift of Rex Dupain 2003. Donated through the Australian Government's Cultural Gifts Program.
© Max Dupain/Copyright Agency, 2022

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Max Dupain OBE (age 69 in 1980)

Colin Lanceley (age 42 in 1980)

Subject professions

Visual arts and crafts

Donated by

Rex Dupain (15 portraits)

© National Portrait Gallery 2022
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Canberra, ACT 2600, Australia

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency