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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Ted Maloney

1955
Max Dupain OBE

gelatin silver photograph on paper (30.3 cm x 28.8 cm)
Ted Maloney

Collection: National Portrait Gallery
Purchased with funds provided by Timothy Fairfax AC 2003

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.
2003.39
Gallery Six (Tim Fairfax Gallery)
Request a digital copy for publication

Artist and subject

Max Dupain OBE (age 44 in 1955)

Ted Maloney

Supported by

Tim Fairfax AC (54 portraits supported)

Related portraits
(View all 97)

David Moore, Max Dupain and John Gollings
Max Dupain, Artamon, Sydney
The photographer's shadow (Olive Cotton and Max Dupain)
Sydney Ure Smith
1. David Moore, Max Dupain and John Gollings, 1980 (printed 2001) Kate Gollings. © Estate of Kate Gollings. 2. Max Dupain, Artamon, Sydney, 1979 (printed 2000) David Moore. © Lisa, Michael, Matthew and Joshua Moore
http://davidmoorephotography.com.au/. 3. The photographer's shadow (Olive Cotton and Max Dupain), c. 1935 (printed 1999) Olive Cotton. 4. Sydney Ure Smith, 1948 Max Dupain OBE.

Related information

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Permanent collection catalogue

Publications

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves.
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Sydney Ure Smith
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Dupain detective

Magazine article by Johanna McMahon, 2019

Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency