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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Ambrose Hallen

1941
Max Dupain OBE

gelatin silver photograph on paper (image: 37.7 cm x 27.0 cm)
Ambrose Hallen

Ambrose Hallen (1886-1943) was an Australian modernist artist whose work went largely unrecognised in this country. He lived for some thirty years in France, and his work was to retain the influence of the Ecole de Paris artists with whom he was acquainted. In the late 1930s he taught painting in Melbourne.

Collection: National Portrait Gallery
Purchased with funds provided by Timothy Fairfax AC 2003

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.
2003.36
Currently not on display
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Artist and subject

Max Dupain OBE (age 30 in 1941)

Ambrose Hallen (age 55 in 1941)

Subject professions

Visual arts and crafts

Supported by

Tim Fairfax AC (54 portraits supported)

Related portraits
(View all 98)

Ambrose Hallen
David Moore, Max Dupain and John Gollings
Max Dupain, Artamon, Sydney
The photographer's shadow (Olive Cotton and Max Dupain)
1. Ambrose Hallen, 1937 Lina Bryans. © Estate of Lina Bryans. 2. David Moore, Max Dupain and John Gollings, 1980 (printed 2001) Kate Gollings. © Estate of Kate Gollings. 3. Max Dupain, Artamon, Sydney, 1979 (printed 2000) David Moore. © Lisa, Michael, Matthew and Joshua Moore
http://davidmoorephotography.com.au/. 4. The photographer's shadow (Olive Cotton and Max Dupain), c. 1935 (printed 1999) Olive Cotton.

Related information

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A child drawing on paper at a table
A child drawing on paper at a table
A child drawing on paper at a table

Little Faces

10:30am, Mon 23 Nov – Fri 27 Nov

Join us for a playful morning together as we look at Janenne Eaton’s portrait of Professor John Mulvaney.
A child drawing on paper at a table
A child drawing on paper at a table
A child drawing on paper at a table
A child drawing on paper at a table

Little Faces

10:30am, Mon 25 Jan

Join us for a playful morning together as we look at Janenne Eaton’s portrait of Professor John Mulvaney.
The companion
The companion
The companion
The companion

The Companion

Permanent collection catalogue

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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