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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Men of the Day No. 25 "Baronet or butcher" (Sir Roger Doughty Tichborne)

1871
Carlo Pellegrini and Vanity Fair Magazine (publisher)

from the series ‘Vanity Fair’
chromolithograph on paper (sheet: 38.0 cm x 26.3 cm)
Men of the Day No. 25

Gift of Mr Ronald Walker 2001

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.
2003.206.5
Currently not on display
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Artist and subject

Carlo Pellegrini (age 33 in 1871)

Vanity Fair Magazine

Sir Roger Doughty Tichborne

Subject professions

Law and justice

Donated by

Ronald Walker (23 portraits)

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1. The Lord Chamberlain (Earl of Hopetoun John Adrian Louis Hope), 1900. 2. Phil (Phil May), 1895. 3. New South Wales (Earl of Jersey Victor Albert George Child-Villiers), 1890. 4. a squatter (Sir Samuel Wilson), 1885. All Sir Leslie Ward, Vincent Brooks, Day & Son, Vanity Fair Magazine.

Related information

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The Companion

Permanent collection catalogue

Publications

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves.
Statesmen, No. 4
Statesmen, No. 4
Statesmen, No. 4
Statesmen, No. 4

Meeting by Murder

Magazine article by Yvonne Audette AM, 2005

The story behind two colonial portraits; a lithograph of captain and convict John Knatchbull and newspaper illustration of Robert Lowe, Viscount Sherbrooke.
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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