Bernard Smith (1916-2011) was one of Australia's most important twentieth-century art historians and an influential cultural commentator. His book 'Place, Taste and Tradition' (1945) was one of the earliest general histories of Australian art. His subsequent publications include the highly acclaimed 'European Vision and the South Pacific' (1960), 'Australian Painting' (first published in 1962) and 'Imagining the Pacific' (1992). His critical writings and art historical commentaries span over fifty years, including 'Modernism's History: A Study in Twentieth-Century Art and Ideas' (1998). Smith played an important role in the short-lived Anitpodean group, writing the controversial manifesto that accompanied the exhibition in defence of figurative painting in 1959. He was the art critic for the 'Age' (1963-66), Reader in Fine Arts at the University of Melbourne (1964-66) and Professor of Contemporary Art and Director of the Power Institute of the Arts, University of Sydney (1967-77).
Gift of an anonymous donor 2002
© Arthur Boyd
Arthur Boyd's work reproduced with the permission of the Bundanon Trust
On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves.
Patrick McCaughey explores a striking Boyd self portrait.
Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.
