Joshua Smith studied sculpture with Rayner Hoff and took classes in drawing and painting at Julian Ashton's Sydney Art School. During the war, Smith worked in a camouflage unit with fellow artist William Dobell. In January 1944 Dobell's portrait of Smith was awarded the Archibald Prize for 1943. A law case ensued, with the artist complainants alleging that Dobell's work was a caricature of his friend. The court found that it was a good likeness. The trial was inevitably distracting, embarrassing and debilitating for Dobell and Smith, but the following year Smith rallied to win the Archibald himself, for a portrait of HS Rosevear. Dobell's portrait of Smith was badly damaged in a fire in 1958, but it has since been restored. Smith painted several memorable portraits, including one of Dame Mary Gilmore and a haunting study of his parents acquired by the Art Gallery of NSW in 1943. He was a regular exhibitor in the Archibald, Wynne and Sulman Prizes for many years.
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
© Lisa, Michael, Matthew and Joshua Moore
http://davidmoorephotography.com.au/
Tim Fairfax AC (54 portraits supported)
The Gordon Darling Foundation (36 portraits supported)
Drop into the Gallery for free creative activities inspired by the flora and fauna featured in the vibrant exhibition, Joan Ross: Those trees came back to me in my dreams.
On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves.
Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
