Skip to main content
Menu

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.
gelatin silver photograph on cabinet card (support: 16.5 cm x 11.0 cm)

Thomas Stange Heiss Oscar Asche (1871–1936), actor, director and producer, was one of Australia’s most successful theatre exports. The son of a Norwegian-born publican, Asche was born in a Geelong hotel and later became enamoured of the theatre via the actors who frequented his father’s subsequent enterprises in Melbourne and Sydney. On leaving school at age 16, he started an apprenticeship to an architect, travelled, and then decided to study acting, leaving Australia for Europe in 1890. While in Norway, he met Henrik Ibsen, who encouraged him to work in his own language and ‘correct’ his Australian accent. Asche made his London debut in 1893 and then joined Sir Francis Benson’s Shakespearean touring company, performing in an estimated 200 roles for the company over the next eight years. In June 1899, he married English actress Lily Brayton, who’d joined Benson’s company in 1896. In his two years with Sir Herbert Beerbohm-Tree, during 1902–1903, he played Benedick to Ellen Terry’s Beatrice in Much ado about nothing. In 1904 he and Brayton formed their own company, with Asche as actor-director subsequently achieving notice for his productions of The taming of the shrew and As you like it, among others. Asche made a triumphant 18 month-long return tour of Australia in 1909–1910, touring again in 1912–1913 with his production of Kismet. The production for which he is best known, Chu Chin Chow – ‘a fabulous Arabian Nights extravaganza’ – premiered in London in August 1916 and ran for the next five years, reportedly netting Asche, its writer-director and star, some £200,000 in royalties. He was in Australia again from June 1922 under contract to JC Williamson, but the arrangement was terminated less than two years later, Asche returning to England having attracted considerable enmity. Thereafter, his fortunes faltered. Contending with a failed marriage, gambling debts, obesity, flops, and bankruptcy, in later years Asche tried his hand at writing novels and produced an autobiography while also appearing in several small roles in now largely forgotten films. He died, virtually penniless, in March 1936.

Collection: National Portrait Gallery
Purchased 2015

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Subject professions

Performing arts

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency