Peace, the Man and Hope, 2005
by Brook Andrew, Larry Rawling
screen print on five sheets of paper
frame: 161.5 x 253.5 cm
overall (irregular): 151.5 x 245.5 cm
Collection: National Portrait Gallery, Canberra Donated through the Australian Government's Cultural Gifts Program by Brook Andrew in memory of Emmaline Rose Charnock 2012
Brook Andrew (b. 1970) studied art at the University of Western Sydney and the University of New South Wales and since the early 1990s his work, which encompasses printmaking, photography, sculpture, installation and performance, has been represented in many exhibitions here and overseas. In this work, Andrew toys with the visual language of celebrity and pop culture to underline Anthony Mundine’s status as a hero and role model: a strong, successful athlete and a vocal, confident spokesperson on issues such as racism in sport. In her catalogue essay to the 2005 exhibition Hope and Peace, which featured this work, Marcia Langton refers to Mundine’s Muslim faith, observing that ‘the rigours of his religious conviction, such as total refrain from alcohol and other harmful substances, are qualities that are just some of the parts that go to make this man a hero among Aboriginal people'. In this context, the graphic use of the words ‘Hope’ and ‘Peace’ – names also applied to brands of Japanese cigarettes – demonstrate the artist’s reconfiguring of advertising imagery to challenge racial stereotypes and consumer messages. The work is also a comment on broader political issues, making an observation on the way that global debates around conflict, peace, hope and faith are mirrored in local issues such as reconciliation. The Wiradjuri language words either side of the figure mean ‘I SEE YOU’ and ‘YOU SEE ME’, while the black and white patterns in the background are based on traditional designs and reference the artist’s Wiradjuri heritage.